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TERRA INFIRMA

A MEMOIR OF MY MOTHER'S LIFE IN MINE

Poet and author Kamenetz (The Jew in the Lotus, 1994) turns his gaze more powerfully inward than ever before in this slender, emotionally searing recollection of his mother’s life and death. His mother died of cancer at 54, ravaged by a typically long and painful battle with the disease. Her son was with her when she died, along with her husband and one of her two twin daughters, and Kamenetz recounts the exact moment of her death in carefully observed detail and strikingly modulated tones. The rest of his essay maintains the mode of careful observation—the book is most powerful whenever the author draws upon the resonance of objects to convey the pain of emotions—but the tone veers, quite intentionally, between the detached coolness of the early pages, occasional dashes of humor, and a more openly agonizing self-assessment. Kamenetz’s relationship with his mother was rocky, as she yo-yoed between a smothering affection and a fierce anger. As a result, mother and son seemed to spend much time circling each other warily, like two planets held in a painful orbit by mutually powerful gravitational fields. Using essayist Montaigne as a model, Kamenetz tells his own story in a discursive, digressive style, ranging from mordant and funny ruminations on marriage and the nuclear family to harrowing descriptions of illness. He writes like the poet he is, wonderfully drunk on language and constantly serving up fresh metaphors for familiar emotions and experiences. His love for his mother—difficult, savage, sometimes lapsing into a paradoxically deep distaste—emerges clearly. At times a frightening read, but an honest and thoughtful one. (Author tour)

Pub Date: Jan. 18, 1999

ISBN: 0-8052-4167-1

Page Count: 128

Publisher: Schocken

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1998

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SWIMMING STUDIES

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.

Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”

While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.

Pub Date: July 5, 2012

ISBN: 978-0-399-15817-9

Page Count: 288

Publisher: Blue Rider Press

Review Posted Online: May 6, 2012

Kirkus Reviews Issue: May 15, 2012

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GETTING REAL

For the author’s fans.

A Fox News journalist and talk show host sets out to prove that she is not “an empty St. John suit in five-inch stiletto heels.”

The child of devout Christians, Minnesota native Carlson’s first love was music. She began playing violin at age 6 and quickly revealed that she was not only a prodigy, but also a little girl who thrived on pleasing audiences. Working with top teachers, she developed her art over the years. But by 16, Carlson began “chafing at [the] rigid, structured life” of a concert violinist–in-training and temporarily put music aside. At the urging of her mother, the high achiever set her sights on winning the Miss T.E.E.N. pageant, where she was first runner-up. College life at Stanford became yet another quest for perfection that led Carlson to admit it was “not attainable” after she earned a C in one class. At the end of her junior year and again at the urging of her mother, Carlson entered the 1989 Miss America pageant, which she would go on to win thanks to a brilliant violin performance. Dubbed the “smart Miss America,” Carlson struggled with pageant stereotypes as well as public perceptions of who she was. Being in the media spotlight every day during her reign, however, also helped her decide on a career in broadcast journalism. Yet success did not come easily. Sexual harassment dogged her, and many expressed skepticism about her abilities due to her pageant past. Even after she rose to national prominence, first as a CBS news broadcaster and then as a Fox talk show host, Carlson continued—and continues—to be labeled as “dumb or a bimbo.” Her history clearly demonstrates that she is neither. However, Carlson’s overly earnest tone, combined with her desire to show her Minnesota “niceness…in action,” as well as the existence of  “abundant brain cells,” dampens the book’s impact.

For the author’s fans.

Pub Date: June 16, 2015

ISBN: 978-0-525-42745-2

Page Count: 272

Publisher: Viking

Review Posted Online: March 27, 2015

Kirkus Reviews Issue: April 15, 2015

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