by Rodney Barker ‧ RELEASE DATE: March 1, 1996
One of the more esoteric pleasures of the end of the Cold War is the ability to get nearer the truth on espionage cases, and Barker has made the most of it in a deft, fast-paced, and balanced account of the US Marine guards scandal of 1987. Sgt. Clayton Lonetree was a Marine guard in the Moscow embassy with problems of character, intelligence, and behavior such that he in fact ``should never have been admitted to [Marine Security Guard] School . . ., and certainly should not have been sent to the most sensitive U.S. outpost in the world.'' The scandal erupted when Lonetree confessed to espionage activities. He had fallen in love with a Russian employee at the embassy, Violetta Seina, had passed on information, but felt the need to confess before he got in too deep. Another guard confessed to similar activities, two others corroborated the information, and for awhile it appeared that Soviet agents had been allowed to roam the embassy, causing ``irreparable damage'' to Western security. Suddenly, however, most of the case seemed to fall apart. The confessions of the other guards were retracted or otherwise discounted, and the main result of the assistance of high-profile lawyer William Kunstler was to get Lonetree, a Native American, a 30-year sentence, later reduced to 15 years (though with good behavior, he'll be released this spring). Everybody, it seems, wanted the story to go away: the Marines, for obvious reasons; the CIA, whose security lapses had contributed to the debacle; and the State Department, which had covered up 579 reassignments based on such security lapses over a seven-year period. Barker (The Broken Circle, 1992) interviewed everyone, including KGB officers and Violetta Seina's family, and does an excellent investigative job, even if he leaves some tantalizing themes unexplored, including CIA traitor Aldrich Ames's admitted request to his Soviet handlers, two months before Lonetree turned himself in, to divert attention from himself. This will be an indispensable source when Lonetree emerges from jail this year.
Pub Date: March 1, 1996
ISBN: 0-684-81099-9
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1996
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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