An unpredictable fable that counters a nation’s hopelessness with the universal need for meaning and connection.
When a man loses his wife, who’s left him and their country behind, he gains an unlikely mission from his father-in-law.
Where does love live in people who’ve been wronged? In Hollywood, if there are animals involved, you’d find a man redeemed by their love, but this story is more complex and emotionally resonant than that. As the book opens, our protagonist, Ulises Kan, a part-time teacher and film buff, doesn’t have much going for him, but his country, Venezuela, has seemingly gone off the rails. Here, Blanco Calderón revisits the ongoing political and economic crisis that he used to great effect in his debut, The Night (2022). A silver lining emerges when General Martín Ayala, Ulises’ Bolivar-worshipping father-in-law, dies suddenly, leaving a note for him. “The Apocalypse is nigh. Sadly, I won’t be here to see it. It’s your task to build the ark and put your woman and your animals there and hold for 40 days.” The general’s dying wish was to transform Los Argonautas, his beloved estate, into a home for the stray dogs plaguing the streets of Caracas. With the help of veterinarians Jesús and Mariela Galíndez, who are working through their own grief, and a corrupt lawyer named Aponte, Ulises sets about his task. Things get complicated when Ulises reconnects with an old flame, Nadine, who immediately moves in, bearing secrets. There’s a lot going on here, not least Ulises’ observations about the Christlike nature of dogs and clever insights derived from films like The Godfather. Added to the mix are a fascinating side plot about a century-old caretaker, schemes to steal Los Argonautas, unexpected deaths, and the little-known work of Australian-born novelist Elizabeth von Arnim, which Nadine discovers among the estate’s hidden treasures.
An unpredictable fable that counters a nation’s hopelessness with the universal need for meaning and connection.Pub Date: March 5, 2024
ISBN: 9781644213650
Page Count: 256
Publisher: Seven Stories
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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