An enjoyable, inventive Trojan War tale with an intriguing final twist and a serious message.
A novel offers a revisionist version of the Trojan War alternatingly narrated by Helen and a teenager in the Sparta orphanage that the beautiful woman supports.
Almost all of the characters, conveniently identified upfront, in Fritsch’s novel can be found in Homer’s The Iliad, but this is not an adventurous war tale extolling the glory of great warriors. And whereas in the traditional story the jealousies and pettiness of the Greek gods and goddesses played key roles in fomenting the war between the Greek kingdoms and the walled city of Troy, they are virtually absent in this narrative. It is human avarice, blood lust, arrogance—and love—that propel Fritsch’s anti-war story. Timon, a 17-year-old orphan, introduces himself to readers and begins the narration. It is 18 years after Helen (“the face that launched a thousand ships”), on what was to be the day of her marriage to King Menelaus, sailed away from Sparta with the Trojan Prince Paris, precipitating the 10-year sacking of Troy. Most of the children in the Sparta orphanage lost their parents in that war. Only Timon is of totally unknown parentage. As a young child, he bonded with Lukas, another orphan his age: The two were “always side by side like a pair of young oxen.” Now, they are lovers and musical soul mates, committed to spending their lives together. Singers and eventually composers, they write ballads mourning the tragic aftermath of an unnecessary war. Their love story offers the most joyous, tender, and poignant sections of the tale. Fritsch quickly sets up the back-and-forth narrative pattern for the imaginative novel, immediately leaping 18 years into the past and handing narration over to Helen. She has just arrived in Troy with Paris and asserts that she does not want to be returned to Greece. Helen is convinced that the Greek kings would never be so foolhardy as to start a war over her. Readers witness the battles through the eyes of this young woman who has allegiances to both sides but is determined to help the Trojans defend their city. Late in the tale, the author offers readers a surprise. Proficient, modern prose and dialogue, enhanced by lifestyle details, make an ancient epic especially accessible.
An enjoyable, inventive Trojan War tale with an intriguing final twist and a serious message.Pub Date: Dec. 17, 2020
ISBN: 978-0-9978829-9-5
Page Count: 161
Publisher: Asymmetric Worlds
Review Posted Online: Feb. 12, 2021
Kirkus Reviews Issue: April 1, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”
A stranger comes to town, and a beloved storyteller plays this creative-writing standby for all it’s worth.
Hilderbrand fans, a vast and devoted legion, will remember Blond Sharon, the notorious island gossip. In what is purportedly the last of the Nantucket novels, Blond Sharon decides to pursue her lifelong dream of fiction writing. In the collective opinion of the island—aka the “cobblestone telegraph”—she’s qualified. “Well, we think, she’s certainly demonstrated her keen interest in other people’s stories, the seedier and more salacious, the better.” Blond Sharon’s first assignment in her online creative writing class is to create a two-person character study, and Hilderbrand has her write up the two who arrive on the ferry in an opening scene of the book, using the same descriptors Hilderbrand has. Amusingly, the class is totally unimpressed. “‘I found it predictable,’ Willow said. ‘Like maybe Sharon used ChatGPT with the prompt “Write a character study about two women getting off the ferry, one prep and one punk.”’” Blond Sharon abandons these characters, but Hilderbrand thankfully does not. They are Kacy Kapenash, daughter of retiring police chief Ed Kapenash (the other swan song referred to by the title), and her new friend Coco Coyle, who has given up her bartending job in the Virgin Islands to become a “personal concierge” for the other strangers-who-have-come-to-town. These are the Richardsons, Bull and Leslee, a wild and wealthy couple who have purchased a $22 million beachfront property and plan to take Nantucket by storm. As the book opens, their house has burned down during an end-of-summer party on their yacht, and Coco is missing, feared both responsible for the fire and dead. Though it’s the last weekend of his tenure, Chief Ed refuses to let the incoming chief, Zara Washington, take this one over. The investigation goes forward in parallel with a review of the summer’s intrigues, love affairs, and festivities. Whatever else you can say about Leslee Richardson, she knows how to throw a party, and Hilderbrand is just the writer to design her invitations, menus, themes, playlists, and outfits. And that hot tub!
Though Hilderbrand threatens to kill all our darlings with this last laugh, her acknowledgments say it’s just “for now.”Pub Date: June 11, 2024
ISBN: 9780316258876
Page Count: 384
Publisher: Little, Brown
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
PERSPECTIVES
One of the noblest characters in American literature gets a novel worthy of him.
Mark Twain's Adventures of Huckleberry Finn as told from the perspective of a more resourceful and contemplative Jim than the one you remember.
This isn’t the first novel to reimagine Twain’s 1885 masterpiece, but the audacious and prolific Everett dives into the very heart of Twain’s epochal odyssey, shifting the central viewpoint from that of the unschooled, often credulous, but basically good-hearted Huck to the more enigmatic and heroic Jim, the Black slave with whom the boy escapes via raft on the Mississippi River. As in the original, the threat of Jim’s being sold “down the river” and separated from his wife and daughter compels him to run away while figuring out what to do next. He's soon joined by Huck, who has faked his own death to get away from an abusive father, ramping up Jim’s panic. “Huck was supposedly murdered and I’d just run away,” Jim thinks. “Who did I think they would suspect of the heinous crime?” That Jim can, as he puts it, “[do] the math” on his predicament suggests how different Everett’s version is from Twain’s. First and foremost, there's the matter of the Black dialect Twain used to depict the speech of Jim and other Black characters—which, for many contemporary readers, hinders their enjoyment of his novel. In Everett’s telling, the dialect is a put-on, a manner of concealment, and a tactic for survival. “White folks expect us to sound a certain way and it can only help if we don’t disappoint them,” Jim explains. He also discloses that, in violation of custom and law, he learned to read the books in Judge Thatcher’s library, including Voltaire and John Locke, both of whom, in dreams and delirium, Jim finds himself debating about human rights and his own humanity. With and without Huck, Jim undergoes dangerous tribulations and hairbreadth escapes in an antebellum wilderness that’s much grimmer and bloodier than Twain’s. There’s also a revelation toward the end that, however stunning to devoted readers of the original, makes perfect sense.
One of the noblest characters in American literature gets a novel worthy of him.Pub Date: March 19, 2024
ISBN: 9780385550369
Page Count: 320
Publisher: Doubleday
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
PERSPECTIVES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
