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TANGLED UP IN BLUE

POLICING THE AMERICAN CITY

A thoughtful book that offers abundant material to rile up—and edify—Blue Lives Matter and Defund the Police advocates alike.

A provocative account of a tour of duty with the Washington, D.C., police force.

“These fucking people.” So says a weary cop, pointing out to Brooks a particularly crime-prone denizen of the streets. Though she was in her 40s, “with two children, a spouse, a dog, a mortgage, and a fulltime job as a tenured law professor” (and the daughter of a disapproving Barbara Ehrenreich), the author decided to become a police officer, following the participant observation model to “understand cultures that might otherwise appear alien and incomprehensible.” The D.C. metro force has an unusual program that allows volunteers to serve, carry a weapon, and make arrests. To satisfy her interest in violence and its constraints, she enrolled in and passed the training course. “By any measure, policing in the United States is a breathtakingly violent enterprise,” she writes, particularly in a city like D.C., where so much of the business of crime and punishment is racially charged. The political left, she notes, holds that Black men are so often killed by police or hauled off to jail because the police are racist while the right contends that young Black men are inclined to crime. Brooks ably shows how the truth is much more complex, and the anecdotes she offers along her beat demonstrate the complicated relationships among authority, violence, gender, race, and other elements. Some of the officers she portrays are noble civil servants, others dead weight, others just this side of psychotic—very much like the people they both serve and combat. The author’s look at the Dickensian “secret city” is both revealing and appalling, and she delivers sometimes-surprising news along the way about racism, the harms of mandatory arrest, and the “overcriminalization” of everyday life in a thoroughly dysfunctional society.

A thoughtful book that offers abundant material to rile up—and edify—Blue Lives Matter and Defund the Police advocates alike.

Pub Date: Feb. 9, 2021

ISBN: 978-0-525-55785-2

Page Count: 384

Publisher: Penguin Press

Review Posted Online: Dec. 7, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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