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BEST POCKET PARKS OF NYC

A handy guide to some of New York’s hidden gems of public space that will delight tourists and natives alike.

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Tiny oases of greenery in the concrete jungle are celebrated in this sprightly guidebook, the first of a planned series.

Recalling her salad days as an actress searching for that most precious of New York commodities—a place where you can sit down without paying—novelist O’Brien (First Saturday, 2012, etc.) offers this compendium of 56 “privately owned public spaces” and city parks in Manhattan, from Midtown on south. It doesn’t take much to make a park in those environs: Take a vacant lot or a recess bordering a sidewalk, add a few planters with shrubs, some chairs and furniture—you’ve got Gotham’s answer to Yellowstone. Some of these are little more than places to rest one’s feet during a shopping binge after grabbing a bite from a sidewalk vendor, but many manage to conjure a sheltering, distinctive space from cramped dimensions. O’Brien seeks out those that feature verdant foliage and clever landscaping, sculpture and artworks that add visual interest, dramatic views of the cityscape, a glimmer of a reflecting pool or a waterfall to mask the roar of city noise. Some will surprise even longtime New Yorkers: Abingdon Square, a twisty lane shaded by tall trees in Greenwich Village, designed by Calvert Vaux with his usual romanticism; Eighth Avenue’s One Worldwide Plaza, a broad yet intimate expanse centered on a fountain, recalling an Old World piazza; Christies’ Garden, an assemblage of ivy-covered walls, cafe tables and art from the auction house’s collection, with an air of Parisian urbanity; 60 Wall St., an enclosed atrium (why can’t a park be indoors?) that, with its palm trees, Oriental decor and food stalls, makes for an enchanting caravanserai; Park Avenue’s minute Ascot Plaza, sporting New York’s best historical inscription—“On this site in 1897, nothing happened.” O’Brien’s brief, breezy text is filled with snippets of intriguing lore, crucial info on restroom access and eating opportunities, and clear directions (alas, no maps). Vivid color photos by Mario Burger, Nicholas Alfonso and others add still more enticement.

A handy guide to some of New York’s hidden gems of public space that will delight tourists and natives alike.

Pub Date: Dec. 17, 2013

ISBN: 978-0-615-92103-7

Page Count: 126

Publisher: Pocket Parks Publishing

Review Posted Online: May 21, 2014

Kirkus Reviews Issue: June 15, 2014

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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