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FELIX EATS UP

From the Felix & Fiona series

Fans of these sweet guinea pigs will smile at another one of life’s small victories. (Picture book. 5-8)

As a birthday dinner at a restaurant approaches, Felix puts his trust in his best friend, Fiona, to guide him past his food neophobia.

Every day, Felix brings the same sandwich to school for lunch: sprouts on buttered oat bread. It seems Fiona has a more robust appetite, chowing down on an enchilada with hot sauce. Throughout the day, Felix worries about Fiona’s upcoming half-birthday sleepover, specifically dinner out at a restaurant. He would much rather have Fiona’s mom’s macaroni and cheese. Fiona keeps mentioning different unusual restaurants, filling his mind with imagined plates of unpleasantness. His anxiety increases as fish with staring eyes and open mouths, liver-enriched sausage, and flaming hot pans appear in his thought bubbles. At the restaurant, Fiona considerately orders a dish she thinks Felix will like: snow peas. He envisions a pile of ice cubes. Without disapproval or exaggeration, Wells quietly addresses the common discomfort of selective eating disorder and eases Felix through the situation with kindness. His journey to the other side is cause for celebration. As with the other titles in this tender series, Wells illustrates how a young person facing a problem can be comforted with the balm of friendship.

Fans of these sweet guinea pigs will smile at another one of life’s small victories. (Picture book. 5-8)

Pub Date: May 7, 2019

ISBN: 978-0-7636-9548-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: March 16, 2019

Kirkus Reviews Issue: April 1, 2019

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MAYA'S BIG QUESTION

From the Ambitious Girl series , Vol. 3

Another empowering outing led by a dynamic young role model.

The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.

On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.

Another empowering outing led by a dynamic young role model. (Picture book. 5-8)

Pub Date: Feb. 3, 2026

ISBN: 9780316561341

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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