Appropriately for the audience, there’s no story line or dazzling special effects—just a creatively imagined encounter with...
This toddler app revolves around the children’s song of the same name, the first in a planned suite by the illustrator of the now-classic My Very First Mother Goose.
Once the app is launched, one of Wells' trademark sturdy bunnies appears wearing Western clothes, while an orchestral version of “Chicken Reel” loops in the background. Tap the animal, and the violins give way to a small group of children singing the nursery song, while the bunny points to his corresponding body parts. (Fair warning: You may never be able to get the tune out of your head.) Readers are given two other options: Tap the body parts for individual display and enunciation of the words, or record your own version for playback. A menu at the top of the screen shows four different snapshots, each of the same bunny dressed in other attire (which represents the other languages the song is available in—French, Spanish and Japanese). Select a different snapshot and the bunny turns and skips merrily to another screen where he finds a new location, a new set of threads and language/music that reflects that particular ethnicity. Auryn, Inc., hit grand slams with previous releases Teddy’s Day (2010) and The Little Mermaid (2011). This is a perfectly adorable app that makes good use of iPad technology, but it is a much more basic offering than its predecessors.
Appropriately for the audience, there’s no story line or dazzling special effects—just a creatively imagined encounter with a song that has universal toddler appeal. More, please! (iPad storybook app. 1-3)Pub Date: April 8, 2011
ISBN: N/A
Page Count: -
Publisher: Auryn
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 15, 2011
Hits just the right note for fans of the series and newcomers alike.
A stuffed dog (and his baby) are afraid until they realize they have each other.
Patricelli’s instantly recognizable baby—White, still perpetually diaper clad, still with but one hair—from Bigger! Bigger! (2018) and many more is back with an adorable purple stuffed animal named Doggie. From swimming pools to strangers, Doggie gets pretty scared. The baby provides the pup lots of reassurance (including time with baby’s blankie) so that in the end, neither one is too afraid anymore. Adult readers will get a kick out of the fact that Doggie’s fears are actually the baby’s fears. What’s more, readers see the baby trying many of the same calm-down tactics on the stuffed canine that caregivers use on children. Both this device and the first-person narration are clever tools that will play well with little readers who likely share many of the same fears. The black-outlined images stand out against bold, saturated backgrounds, drawn with just enough detail to be interesting but not too busy. The simplicity of the illustrations doesn’t prevent Patricelli from conveying emotion, from the baby’s panic at possibly losing Doggie to the caregiver’s palpable relief at having found it. All of the characters present White save a few background figures. Patricelli’s rhyming Mad, Mad, MAD features the baby expressing anger and ultimately using techniques to work through it.
Hits just the right note for fans of the series and newcomers alike. (Board book. 1-3)Pub Date: Sept. 8, 2020
ISBN: 978-1-5362-0379-0
Page Count: 26
Publisher: Candlewick
Review Posted Online: Oct. 26, 2020
Kirkus Reviews Issue: Nov. 15, 2020
A sweet if uneven expression of parents’ love for babies.
A love song to baby.
Rhyming verse expresses animal parents’ love for their little ones and is accompanied by cartoon-style illustrations of animal families rendered in bold colors and rounded forms. The succinct text pairs nicely with the spare art style, which offers uncluttered spreads focused on the parent-and-child interactions. “You’re everything FRESH, / the morning’s first dew,” reads one spread, for example, which is illustrated with a picture of a panda cub standing on top of its prone parent while reaching for a dewdrop falling from a branch. Behind them, a blue background is warmed by a huge, yellow semicircle representing the rising sun. Other animal families occupy other pages, so there’s no sequential storyline to speak of, but the text as a whole is framed by an opening spread depicting crocodile parents waiting for their (very large) egg to hatch, and hatch it does in the closing spread, which reads, “You’re every wish answered, / our hearts, how they grew… / every day countless, / everything you.” While the sentiment here is heartfelt, this use of “every day countless” is one example of several instances when word choices undermine clarity.
A sweet if uneven expression of parents’ love for babies. (Picture book. 1-3)Pub Date: Dec. 5, 2017
ISBN: 978-0-374-30141-5
Page Count: 32
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 26, 2017
Kirkus Reviews Issue: Sept. 15, 2017
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