by Ross Welford ‧ RELEASE DATE: Dec. 22, 2020
A time-traveling romp.
A pandemic breaks out in the northeast of England and the solution involves time travel.
Eleven-year-old Georgina Santos has always longed for a dog. Shaggy mutt Mr. Mash steals her heart, but unfortunately, the twosome can only meet during Georgie’s volunteer shifts at St. Woof’s shelter. On a beach outing with the shelter dogs, Georgie and her best friend, Ramzy Rahman, meet eccentric game developer Dr. Emilia Pretorius. The fortuitous run-in leads to the pair’s unwittingly participating in Dr. Pretorius’ greatest work, the Big Experiment, testing her multisensory virtual-reality environments. When Georgie’s oversight in hygiene protocols at St. Woof’s leads to the spread of canine-borne Ebola, Dr. Pretorius’ Big Experiment might just be the key to ending the pandemic. Adventures ensue as Georgie and her pals race to retrieve a cure. Welford presents a fast-paced, female-driven STEM adventure in which short chapters that jump back and forth through time keep the plot moving, teasing the story of how everything came to be and keeping readers in suspense. Georgie has dark curly hair and light brown eyes; Ramzy comes from an unnamed war-torn country that no longer exists. Dr. Pretorius is a Black woman whose Afro is commented upon frequently, and her blue eyes cause Georgie to stare and squeak in surprise—a treatment that feels othering. The initial spread of the disease from a Chinese family to a shelter dog may not land well in the current environment.
A time-traveling romp. (Science fiction. 8-12)Pub Date: Dec. 22, 2020
ISBN: 978-0-525-70748-6
Page Count: 400
Publisher: Schwartz & Wade/Random
Review Posted Online: Sept. 14, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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by Rebecca Bond ; illustrated by Rebecca Bond ‧ RELEASE DATE: July 7, 2015
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...
A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.
Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.
Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)Pub Date: July 7, 2015
ISBN: 978-0-544-33217-1
Page Count: 256
Publisher: HMH Books
Review Posted Online: March 31, 2015
Kirkus Reviews Issue: April 15, 2015
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by Rebecca Bond ; illustrated by Salley Mavor
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by Stuart Gibbs ; illustrated by Stacy Curtis ‧ RELEASE DATE: March 1, 2022
Budding heroes defeat class and gender expectations as well as the occasional monster in this wry outing.
Thinking that it’s better to be fake knights than real peasants, Tim and his best buddy, Belinda, sign up to rescue a captured princess.
Unaware that they’ve been snookered into a dastardly scheme, the two youngsters hear that Princess Grace from the next kingdom over has been carried off in the claws of a fearsome and funky “stinx” and volunteer to accompany (reputedly) brave and noble Prince Ruprecht and his (reputedly) powerful magician Nerlim on a rescue mission. Accompanied by village idiot Ferkle, whose habit of shoving mud in his pants effectively lowers the level of humor even further, the two ersatz knights weather the Forest of Doom, the River of Doom, and a “troll bridge” across the Chasm of Doom despite a suspicious lack of assistance from either the prince or the magician…and arrive to discover that neither the stinx nor the princess is quite as expected either. In fact, the princess ends up being the rescuer (“That’s what you call irony,” she comments) when Ruprecht and Nerlim announce their intention to seize her and do away with any inconvenient witnesses. Tim and Belinda are rewarded with promotions for their efforts; readers will come away with both a cogent warning from Gibbs about the dangers of falling for fake news and better vocabularies due to his penchant for flagging significant words like gullible and malodorous in the narrative and then pausing to define and use them in sample sentences. Along with a full-spread map, Curtis supplies frequent pen-and-ink sketches of the cast in comical poses and straits. The races and ethnicities of the characters are not specified in the text, though cover art depicts characters of various skin tones.
Budding heroes defeat class and gender expectations as well as the occasional monster in this wry outing. (Fantasy. 8-12)Pub Date: March 1, 2022
ISBN: 978-1-5344-9925-6
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
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by Stuart Gibbs ; illustrated by Ward Jenkins
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