An occasionally brilliant, hit-or-miss grab bag of pop-culture criticism.
Essayist, novelist and pop-culture guru Gay (An Untamed State, 2014, etc.) sounds off on the frustrating complexities of gender and race in pop culture and society as a whole.
In this diverse collection of short essays, the author launches her critical salvos at seemingly countless waves of pop-cultural cannon fodder. Although the title can be somewhat misleading—she’s more of an inconsistent or conflicted feminist—the author does her best to make up for any feminist flaws by addressing, for instance, the disturbing language bandied about carelessly in what she calls “rape culture” in society—and by Gay’s measure, this is a culture in which even the stately New York Times is complicit. However, she makes weak attempts at coming to terms with her ambivalence toward the sort of violent female empowerment depicted in such movies as The Hunger Games. Gay explores the reasons for her uneasiness with the term “women’s fiction” and delivers some not-very-convincing attempts to sort out what drives her to both respect and loathe a femalecentric TV show like Lena Dunham’s Girls. Although generally well-written, some of these gender-studies essays come off as preachy and dull as a public service announcement—especially the piece about her endless self-questioning of her love-hate relationship with the tacky female-submission fantasies in Fifty Shades of Grey. Yet when it comes to race-related matters (in the section "Race and Entertainment"), Gay’s writing is much more impassioned and persuasive. Whether critiquing problematic pandering tropes in Tyler Perry’s movies or the heavy-handed and often irresponsible way race is dealt with in movies like The Help, 12 Years a Slave or Django Unchained, Gay relentlessly picks apart mainstream depictions of the black experience on-screen and rightfully laments that “all too often critical acclaim for black films is built upon the altar of black suffering or subjugation.”
An occasionally brilliant, hit-or-miss grab bag of pop-culture criticism.Pub Date: Aug. 5, 2014
ISBN: 978-0-06-228271-2
Page Count: 336
Publisher: Perennial/HarperCollins
Review Posted Online: June 16, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Well-informed, scary, sobering, and sure to tick off police officers and prosecutors even as it contributes to keeping...
Building on his much-viewed YouTube video “Don’t Talk to the Police,” former criminal defense attorney and legal scholar Duane (Regent Univ. School of Law) offers a cogent, concise argument for keeping silent.
Why is it, asks the author, that public officials who are being questioned so often invoke their constitutional right not to self-incriminate? Because they know the law. More to the point, he suggests, they know the many ways in which all-too-human investigators can misinterpret and twist words—and that the system is fundamentally corrupt to begin with. Though the last bit may be cynical, Duane means it without hyperbole: on any given day, an American adult breaks three laws without even knowing that he or she has done so, very often as a result of unforeseen consequences of good intentions. “That is why,” Duane writes, “you cannot listen to your conscience when faced by a police officer and think, I have nothing to hide.” If the law is corrupt, then so are law enforcement officers, not necessarily out of evil intent but because they have quotas to fulfill, performance evaluations to meet, and so on—and because, increasingly, there’s an us-against-the-world mentality governing the precinct house. So what to do? Duane counsels common sense, noting that there are reasons and situations that call for cooperating with the police. If, however, there’s the remotest chance that suspicion will fall on you, he adds, then it’s a good idea to think Fifth (and Sixth) Amendment and to remember that, thanks to Antonin Scalia’s influence on the Supreme Court, it’s no longer possible to believe that “only guilty people would ever knowingly refuse to talk to the police,” even if the police and the courts seem to think so.
Well-informed, scary, sobering, and sure to tick off police officers and prosecutors even as it contributes to keeping innocent people out of jail.Pub Date: Sept. 20, 2016
ISBN: 978-1-5039-3339-2
Page Count: 152
Publisher: Little A
Review Posted Online: Aug. 18, 2016
Kirkus Reviews Issue: Aug. 15, 2016
An intimate and provocative glimpse into the lives of adolescent schoolgirls at two West Coast middle schools by journalist Orenstein (formerly managing editor of Mother Jones). Orenstein was motivated by the disturbing findings of a 1990 study from the American Association of University Women. It revealed that girls' self-esteem plummets as they reach adolescence, with a concomitant drop in academic achievement- -especially in math and science. By sixth grade, both boys and girls have learned to equate masculinity with opportunity and assertiveness and femininity with reserve and restraint. In her attempt to delve more deeply into this phenomenon, Orenstein observed and interviewed dozens of young girls inside and outside their classrooms. The resulting narratives are likely to move and vex readers. The classrooms at Weston Middle School ring with the symptoms: Even girls who consider themselves feminists tend to ``recede from class proceedings'' while their male classmates vociferously respond to teachers' questions; girls who are generally outspoken remain silent in the classroom. When probed, they tell Orenstein that they are afraid of having the wrong answer and of being embarrassed. They are not willing to take the risks that boys routinely take. The girls are overly involved with their appearance, with clothes and beauty products, instead of their studies. Sexual desirability becomes the central component of their self-image, with negative feelings often translating themselves into eating disorders. At the Audubon Middle School, with its predominantly minority population, it is apparent that ``the consequences of silence and marginalization for Latinas are especially dire.'' The Latina girls we meet often become gang members and mothers, while school becomes increasingly irrelevant. A comprehensive bibliography and annotated notes enhance Orenstein's ardent and significant exploration of the adolescent roots of key women's issues. (First serial to the New York Times Magazine)
Pub Date: Sept. 1, 1994
ISBN: 0-385-42575-9
Page Count: 384
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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