Writers can surely benefit from practicing some of these tiny techniques, but voracious reading, writing, traveling,...
A veteran writing teacher at the Poynter Institute returns with some ideas that writers can learn from the short forms that now proliferate—from tweets to text messages to bathroom scrawls (really).
Clark’s (Help! For Writers: 210 Solutions to the Problems Every Writer Faces, 2011, etc.) text resembles just about any other in the self-help genre: short, snappy chapters (and sentences and paragraphs), lists (bulleted and otherwise) and end-of-the-chapter suggestions for additional activities (he calls these “Grace Notes”). The advice he offers is a mixture of the traditional and the novel. He suggests aspiring writers should keep a commonplace book filled with examples of short-and-effective writing gleaned from our contemporary short-form environment. His thesis is patent: If writers desire to write long, they should “begin by writing short.” Clark spends the majority of the book examining various places where short texts occur and explaining how writers can, and should, benefit from them. His sources are in some cases surprising, sometimes not: baseball cards, book blurbs, marginalia, blogs, Zach Galifianakis–like quips, haiku, single-sentence stories, T-shirt slogans and profiles composed for online dating sites. Among the most unusual are text messages sent during a psycho’s armed attack in Norway. Clark offers some more literary examples, as well, ranging from an Updike paragraph to the Gettysburg Address and the writings of Samuel Johnson. The “Grace Note” sections are generally unremarkable, with suggestions ranging from, “Write a brief premise for a movie” to, “Spend time and energy on titles and headlines.” He advises writers to learn different ways to form lists in a text, then closes with some warnings about the power of short writing to harm as well as benefit (Orwell and Huxley appear here).
Writers can surely benefit from practicing some of these tiny techniques, but voracious reading, writing, traveling, thinking and feeling can help even more.Pub Date: Aug. 27, 2013
ISBN: 978-0-316-20435-4
Page Count: 256
Publisher: Little, Brown
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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