Aliens may be attacking, but teen angst still holds sway in this reluctant reader series.
A high school choir field trip comes to a halt when alien invaders generate an electromagnetic pulse, grounding planes, turning off phones, and shutting down power plants.
Kayla has hated fellow soprano Steph since third grade. Now high school juniors, the two are even more strident in their rivalry. Their bickering and constant one-upmanship continue as resources dwindle and a long hike looks inevitable. An alien flyover and a carjacking leave the group stranded and force Kayla and Steph to bury the hatchet before their conflict buries them all. In The Fallout, by Glasko Klein, a mall seems like the perfect place to lie low and stock up on supplies following an alien attack, but 16-year-old Nina never imagined hiding out with the school weirdo, her ex-boyfriend, and a superjock. When their saviors start acting more like prison guards, Sanjay and his friends decide to break out of their school in Lockdown, by Raelyn Drake (Realm of Mystics, 2017, etc.). In Getting Home by Stephanie Perry Moore (Sit on Top, 2015, etc.), Bailey and her younger brother, Blake, are caught on a bus between Atlanta and Montgomery when an EMP attack shuts everything down. While an alien attack is the common thread, these stories are less about extraterrestrial problems and more about issues common to many teenagers. Characters struggle with pride, anger, lost love, rivalries, and first crushes. While the majority of characters are assumed white, names indicate ethnic diversity in Lockdown, and the characters are implied African-American in Getting Home.
Aliens may be attacking, but teen angst still holds sway in this reluctant reader series. (Fiction. 12-18)Pub Date: Aug. 1, 2018
ISBN: 978-1-5415-2573-3
Page Count: 112
Publisher: Darby Creek
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
