This unusual if culturally hegemonic Christmas story will appeal to kids interested in ninjas and samurais and, of course,...
A mischievous little ninja scares Santa away and then receives an unexpected gift in the form of a huge snowball fight.
The young ninja, Yukio, wants to stage a snowball battle on Christmas Eve, but all the other ninjas are staying home and behaving so they will receive their presents from Santa. Yukio doesn’t care about presents, so he uses ninja tactics to sneak up on Santa and startle him by ringing a huge, noisy gong and rallying the other ninjas to scare away the intruder. When a mysterious samurai arrives with an army of snowmen, all the little ninjas do battle with the snowmen in an “epic snowball fight,” just as Yukio had wanted, though the samurai disappears. On Christmas morning Yukio is worried that he has ruined Christmas for all the other ninjas, but everyone gets Christmas gifts from Santa. Yukio receives a snowman’s hat and carrot nose and a letter from Samurai Santa indicating that the snowman battle was his special gift. Computer-generated illustrations use a limited palette of black, red, white, and soft gray, with the text set in a casual, modern typeface. A large format with landscape orientation provides plenty of room for the ninja-snowman battle scenes and the resolution on Christmas morning. The text never addresses the question of how these feudal Japanese assassins came to believe in Santa in the first place.
This unusual if culturally hegemonic Christmas story will appeal to kids interested in ninjas and samurais and, of course, to any kids who like an epic snowball fight. (Picture book. 4-8)Pub Date: Sept. 22, 2015
ISBN: 978-1-4814-3057-9
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
From curds to riches, from meltdown to uplift—this multicourse romp delivers.
A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.
From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.
From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)Pub Date: Nov. 7, 2023
ISBN: 9780063329508
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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