A heady look at the influence of the heavens on a small patch of earth.
A small town in Australia is the setting for a lushly detailed debut novel starring a comet that puts Halley’s to shame.
Among the watchers of Comet St. John in 1997 is Sylvia Knight, a 32-year-old funeral home worker who two years earlier was the victim of a hit-and-run crash that killed her husband. Since then, she’s been doggedly but unsuccessfully searching for the driver of the car that caused the crash. The comet—which is due to make its first appearance to the naked eye in January, a few days after the novel starts, and to grow more prominent in the sky through August—has a special meaning for Sylvia: “The date St John would show itself in the sky was…the date by which I’d given myself permission to finally leave this planet.” Life, however, interferes with this plan, as Sylvia becomes unexpectedly intrigued with a mysterious stranger who shows up at the funeral parlor and turns out to be Theo St. John, the pensive young American astronomer who first discovered the comet. Then Sylvia feels compelled to rescue her gullible mother-in-law, Sandy, from the local doomsday cult that’s sprung up around the comet and is planning a festival with an ending that doesn’t bode well for local residents. While the mystery of who was driving the car that killed Sylvia’s husband falls flat, with a conclusion that many readers will anticipate, Sylvia is a compellingly contradictory narrator, drawn to both stability and risk, and Todd places her in an equally complex community, a small town thrown off balance by its placement at the epicenter of comet viewing. The novel’s noir edge combines with a tone of mystical fatalism to make for a disorienting reading experience.
A heady look at the influence of the heavens on a small patch of earth.Pub Date: July 16, 2024
ISBN: 9781668053218
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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