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BARCELONA DREAMING

A reserved but powerful effort from the accomplished British novelist.

Three people navigate love and heartbreak in early-21st-century Catalonia.

The latest novel from English author Thomson is made up of three interconnected stories. The first follows Amy, an Englishwoman who meets Abdel, a much younger Moroccan immigrant sex worker, after he’s been raped by a client. The two begin an affair that’s brought to an end after one of the woman’s neighbors assaults the young man; the incident has tragic consequences that upend the lives of both Amy and Abdel. The second section tells the heartbreaking story of Nacho, a businessman who lives with his girlfriend, Cristiani, and her young son, Aristides, in the Barcelona suburb of Castelldefels. Nacho favors the area for its “low-level buzz, a foxiness, a slightly sleazy cool.” He spends most of his time drinking at a club until he meets the soccer star Ronaldinho, who asks Nacho to teach him Spanish. As he spends time with the legendary midfielder, Cristiani and Aristides start drifting away from him; the section ends in an almost unbearably heartbreaking way, causing the reader to question everything that came before. The final installment follows Jordi, a translator who forms an unlikely friendship with his neighbor, a mysterious and sleazy businessman who’s convinced a piece of furniture he bought is possessed. The relationship causes strain with a childhood friend on whom the translator’s always had a crush. The stories are loosely connected—a character named Montse is Amy’s best friend, Nacho’s ex-wife, and a publisher who works with Jordi, and a few characters from certain sections pop up in others. Thomson’s prose is unadorned but effective—at one point, Amy muses of Abdel, “He made me feel younger just by being himself. Sometimes I felt younger than he was.” He writes with a cleareyed compassion and never forces moments; everything in the novel feels organic. Thomson inhabits the voices of his characters perfectly; each section is narrated in the first person, and each perspective feels unique. It’s a quiet and unassuming novel even in its most dramatic moments—fans of Thomson and of literary fiction are likely to find this trip to Barcelona well worth taking.

A reserved but powerful effort from the accomplished British novelist.

Pub Date: June 1, 2021

ISBN: 978-1-63542-042-5

Page Count: 272

Publisher: Other Press

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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