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RUSH REVERE AND THE BRAVE PILGRIMS

TIME-TRAVEL ADVENTURES WITH EXCEPTIONAL AMERICANS

From the Rush Revere series

Exceptionally bad.

Supercool substitute teacher Rush Revere and his time-traveling horse, Liberty, take two students to 1620 to meet such exceptional Americans as William Bradford and Squanto.

In a series of jumps, the amiable Rush takes football player and closet nerd Tommy and pretty, soft-spoken, dark-skinned Freedom (possibly Native American) to such significant moments as the Mayflower’s embarkation from England, its landing at Plymouth and the first Thanksgiving. In their encounters, they learn about the Pilgrims’ quest for religious freedom, the difficult conditions they faced both onboard and in the New World, and how the fledgling colony’s relations with the local Native Americans were established. The presentation of history adheres to the standard narrative presented in classrooms for decades throughout the 20th century. Readers looking for Limbaugh’s politics won’t have to search hard. Tommy and Rush school Bradford in the values of competition and individualism, while Bradford and Squanto give thanks to God for seeing them through adversity. The storytelling that carries history, adventure and politics is breathtakingly inept. The rules governing both time travel and Liberty’s remarkable powers are both inconsistent and so arbitrarily convenient they feel as though they were made up as the author went along. Rush and the children’s interactions with historical figures are thoroughly wooden and elide the basic rules of the genre; Bradford never questions Rush’s late-18th-century getup, for instance, and is stupendously incurious about their monthslong absences. The prose never rises above amateurish and often reads as though written by the middle school students Rush teaches: “Tommy plopped down on a random desk….” Although the faux parchment pages catch the eye, illustration, design and even proofreading (Samoset is consistently misspelled “Somoset” in the text though not in captions or the author’s note) are as rudimentary and slipshod as the prose. The ever hungry Liberty provides needed, if lame, comic relief. A closing quiz leads readers to the website twoifbytea.com for answers.

Exceptionally bad. (Fantasy. 8-12)

Pub Date: Oct. 29, 2013

ISBN: 978-1-4767-5586-1

Page Count: 224

Publisher: Threshold Editions/Simon & Schuster

Review Posted Online: March 31, 2014

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BEYOND MULBERRY GLEN

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

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In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.

Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.

An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.

Pub Date: Jan. 7, 2025

ISBN: 9781956393095

Page Count: 288

Publisher: Waxwing Books

Review Posted Online: Oct. 14, 2024

Kirkus Reviews Issue: Jan. 1, 2025

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STEALING HOME

An emotional, much-needed historical graphic novel.

Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.

Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.

An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)

Pub Date: Oct. 5, 2021

ISBN: 978-1-5253-0334-0

Page Count: 112

Publisher: Kids Can

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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