An angst-riddled family tale that enlightens and delights.
A wayward American teen struggles to find his place in a foster family in this YA novel.
It seems that high school sophomore Roy Perkins has given up. He doesn’t worry about his grades anymore, to the point of tossing his English book out the classroom window. And why should he care? His dad died in the Army; his mom cooked meth in their trailer before she died; and now he only has Uncle Frank, a drunk who disciplines Roy with a belt. When Frank lands in jail, a social worker takes Roy to live with the Radleys, who are already fostering 5-year-old twin boys. Roy’s behavior and attitude don’t improve, as he gets in a fight at school. But he gradually warms to his foster parents’ tenderheartedness, and it turns out he likes being a big brother to the twins. When Roy’s bad decisions lead to a mistake that puts his foster family in danger, the social worker threatens to take him away. But Roy wants to stay with his new family and will have to prove he’s a responsible teenager. Thompson’s concise, undemanding prose makes reading this short novel a breeze. Piquing interest in reading is the author’s goal. But he still manages to establish scenes and characters with panache. At one point Roy observes: “Wednesday morning. English. I’m still tired from last night. I put my head on my desk. I need to close my eyes for a minute.” Roy is a likable protagonist worthy of sympathy; his initial reluctance to trust the Radleys, in spite of their overwhelming kindness, is understandable. The author sprinkles moral lessons throughout that, while pronounced, are never heavy-handed. Roy, for example, has a crucial choice to make in the final act, and he learns the right thing isn’t always the easiest. This book offers a rewarding story for both YA and older readers.
An angst-riddled family tale that enlightens and delights.Pub Date: June 14, 2021
ISBN: 979-8520314882
Page Count: 113
Publisher: Independently Published
Review Posted Online: Jan. 25, 2022
Review Program: Kirkus Indie
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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