by Russell Hoban ‧ RELEASE DATE: Aug. 20, 1973
"A map is the dead body of where you've been. A map is the unborn baby of where you're going" — and a lion, well a map might lead to a lion in some distant, primal part of the world for even if lions are extinct they are very much alive in the imaginations of Boaz-Jachin and his father Jachin-Boaz, a mapmaker who has lost his bearings somewhere in the middle of middle age. Mr. Hoban who has been charming a younger audience for many years has now written a teasing, perhaps even disturbing, fantasia about father and son, any father and son, and maps and lions — particularly lions as emblematic of the chimera, the challenge, the absolute. One of those special, hopefully not too special, books which pads softly through the dark underbrush of much that we feel and hope and sense and magnifies experience on several levels, simultaneously.
Pub Date: Aug. 20, 1973
ISBN: 0747549087
Page Count: 184
Publisher: Stein & Day
Review Posted Online: April 28, 2012
Kirkus Reviews Issue: Aug. 1, 1973
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by Bob Marley & adapted by Cedella Marley & illustrated by Vanessa Brantley-Newton ‧ RELEASE DATE: Oct. 5, 2011
Though this celebration of community is joyful, there just is not much here.
A sugary poem, very loosely based on the familiar song, lacks focus.
Using only the refrain from the original (“One love, one heart, let’s get together and feel all right!”), the reggae great’s daughter Cedella Marley sees this song as her “happy song” and adapts it for children. However, the adaptation robs it of life. After the opening lines, readers familiar with the original song (or the tourism advertisement for Jamaica) will be humming along only to be stopped by the bland lines that follow: “One love, what the flower gives the bee.” and then “One love, what Mother Earth gives the tree.” Brantley-Newton’s sunny illustrations perfectly reflect the saccharine quality of the text. Starting at the beginning of the day, readers see a little girl first in bed, under a photograph of Bob Marley, the sun streaming into her room, a bird at the window. Each spread is completely redundant—when the text is about family love, the illustration actually shows little hearts floating from her parents to the little girl. An image of a diverse group getting ready to plant a community garden, walking on top of a river accompanies the words “One love, like the river runs to the sea.”
Though this celebration of community is joyful, there just is not much here. (afterword) (Picture book. 3-5)Pub Date: Oct. 5, 2011
ISBN: 978-1-4521-0224-5
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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by Patricia Polacco & illustrated by Patricia Polacco ‧ RELEASE DATE: July 1, 2010
Trisha is ready to start at a new school, where no one will know she has dyslexia. At first, she is heartbroken to be in Miss Peterson’s special-ed class, aka, “the junkyard.” But Miss Peterson treats the children as anything but junk, showing them that everyone has a unique talent. Polacco’s trademark style is fully present here; her sensitively drawn alter ego shines with depth of feeling. When bullying occurs, Miss Peterson proves her students are worthwhile by planning a junkyard field trip, where they find valuable objects to be used in exciting ways. Trisha’s group repairs a plane, and the class buys an engine for it. Then a beloved class member dies, and the children must find a way to honor him. While the plot meanders somewhat, the characters are appealing, believable and provide a fine portrayal of a truly special class. Children will be drawn in by the story’s warmth and gentle humor and will leave with a spark of inspiration, an appreciation of individual differences and a firm anti-bullying message, all underscored by the author’s note that concludes the book. (Picture book. 7-10)
Pub Date: July 1, 2010
ISBN: 978-0-399-25078-1
Page Count: 48
Publisher: Philomel
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
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