by Russell James ‧ RELEASE DATE: April 1, 1997
When the gunpowder has cleared from over Deptford mastermind Gottfleisch's meticulously planned security van robbery, Scott Heywood, the accomplice who was supposed to be killed, has popped loose with the boodle. The size of the haul—ú2 million—makes it worth some trouble for Gottfleisch and his mates to join forces with Ray Lyons, the brother of the robber Scott left dead in his place, to find Scott. But Scott's sitting pretty—at least, neither Gottfleisch nor the police, nor his own outraged wife, has been able to find any trace of him or the cash—which is more than can be said for Scott's brother Jet Heywood, a broken-down boxer whose marginal life with his little girl Stella is about to get even more marginal. Before the bloodstained curtain rings down, concussed Jet and savvy Stella, sharing a poky trailer in a traveling fair, will be pursued by Ray Lyons (who wants a brother for a brother), Gottfleisch's bagman Ticky (a toothless pederast who wants both the boodle and a nice time), Jet's treacherous ex- wife Angela (who's heard about Scott on the telly and thinks the time might be ripe for a reconciliation), dozens of outraged citizens (angry at the outcome of one of the fair's amateur boxing matches), and the majesty of the North Devon Social Services (who just want what's best for the little girl). Conscientiously menacing (if overextended) stuff, though not a patch on the breathtakingly nasty Payback (1993) and Slaughter Music (1995).
Pub Date: April 1, 1997
ISBN: 0-88150-384-3
Page Count: 368
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1997
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by Karin Slaughter ‧ RELEASE DATE: Aug. 8, 2017
It’s hard to think of any writer since Flannery O’Connor, referenced at several key moments here, who’s succeeded as...
Slaughter’s latest break from the punishing travails of Dr. Sara Linton and Will Trent (The Kept Woman, 2016, etc.) uses a school shooting to reunite two sisters who’ve had compelling reasons for avoiding each other in the years since their own childhood horrors.
Twenty-eight years ago, two masked men broke into attorney Rusty Quinn’s Georgia home looking for the man of the house, the kind of lawyer who gives lawyers a bad name. In Rusty’s absence, things went south instantly, leaving Gamma Quinn dead, her daughter Samantha shot in the head and buried alive, and her daughter Charlotte fleeing in terror. Sam somehow survived and rose above her brain damage to become a successful New York patent attorney; Charlie remained in Pikeville, joined the criminal defense bar, and married ADA Ben Bernard. But she and Ben have separated; she’s taken solace in some quick sex with a stranger in a parking lot; and when she goes to the middle school where her one-night stand works as a history teacher to pick up the cellphone she left behind, she walks into the middle of a shooting that brings back all her own trauma. Goth girl Kelly Wilson admits she shot and killed Douglas Pinkman, the school principal, and 8-year-old Lucy Alexander, but Rusty, whose inbox is already overflowing with hate mail provoked by all the lowlifes he’s defended, is determined to serve as her attorney, with Sam as a most unlikely second chair. In addition to the multilayered conflicts among the Quinns and everyone else in town, Sam, who urged her sister to flee their childhood nightmare, and Charlie, who’s had to live with fleeing ever since, will have to deal with memories that make it hard for them to sit in the same room.
It’s hard to think of any writer since Flannery O’Connor, referenced at several key moments here, who’s succeeded as consistently as Slaughter at using horrific violence to evoke pity and terror. Whether she’s extending her franchise or creating stand-alones like this, she really does make your hair stand on end.Pub Date: Aug. 8, 2017
ISBN: 978-0-06-243024-3
Page Count: 512
Publisher: Morrow/HarperCollins
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
by Gillian Flynn ‧ RELEASE DATE: June 5, 2012
One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are...
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New York Times Bestseller
A perfect wife’s disappearance plunges her husband into a nightmare as it rips open ugly secrets about his marriage and, just maybe, his culpability in her death.
Even after they lost their jobs as magazine writers and he uprooted her from New York and spirited her off to his childhood home in North Carthage, Mo., where his ailing parents suddenly needed him at their side, Nick Dunne still acted as if everything were fine between him and his wife, Amy. His sister Margo, who’d gone partners with him on a local bar, never suspected that the marriage was fraying, and certainly never knew that Nick, who’d buried his mother and largely ducked his responsibilities to his father, stricken with Alzheimer’s, had taken one of his graduate students as a mistress. That’s because Nick and Amy were both so good at playing Mr. and Ms. Right for their audience. But that all changes the morning of their fifth anniversary when Amy vanishes with every indication of foul play. Partly because the evidence against him looks so bleak, partly because he’s so bad at communicating grief, partly because he doesn’t feel all that grief-stricken to begin with, the tide begins to turn against Nick. Neighbors who’d been eager to join the police in the search for Amy begin to gossip about him. Female talk-show hosts inveigh against him. The questions from Detective Rhonda Boney and Detective Jim Gilpin get sharper and sharper. Even Nick has to acknowledge that he hasn’t come close to being the husband he liked to think he was. But does that mean he deserves to get tagged as his wife’s killer? Interspersing the mystery of Amy’s disappearance with flashbacks from her diary, Flynn (Dark Places, 2009, etc.) shows the marriage lumbering toward collapse—and prepares the first of several foreseeable but highly effective twists.
One of those rare thrillers whose revelations actually intensify its suspense instead of dissipating it. The final pages are chilling.Pub Date: June 5, 2012
ISBN: 978-0-307-58836-4
Page Count: 432
Publisher: Crown
Review Posted Online: April 22, 2012
Kirkus Reviews Issue: May 1, 2012
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