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THE PEOPLE’S CHEF

THE CULINARY REVOLUTIONS OF ALEXIS SOYER

Quibbles aside, devotees of Ruth Reichl and M.F.K. Fisher will gobble up this delicious new gastronomic biography.

Brandon serves up the life story of a man who changed the way rich and poor ate.

Alexis Soyer cooked for 19th-century England. Moving from France to Blighty as a young man, he cooked at Aston Hall and at London’s Reform Club, where his creations—haricot and lentil salad, truffles stuffed with ortolans, “New Spring and Autumn Soup”—earned him renown as he transformed the kitchens of the Reform Club into “one of the sights of London.” But, as Brandon’s (Surreal Lives, 1999, etc.) well-chosen title makes clear, Soyer was no mere servant to English bon vivants. He was also a culinary innovator and social reformer. In the late 1840s, he became consumed by the problems of the poor and designed a new soup kitchen to serve them. Disgusted by what was available at most such kitchens, he published Soyer’s Charitable Cookery: or, The Poor Man’s Regenerator, which spelled out healthy, cheap recipes for the “poor and labouring classes.” When he set up a soup kitchen in Dublin, he was heralded as a savior. Soyer’s final act of service was to the British in the Crimean War, where he invented an innovative field stove and oversaw the kitchen at a military hospital in Constantinople. His 1858 death was mourned throughout the Empire. As Florence Nightingale commented, Europe boasted plenty of other gourmands, but there was no one else who had turned his epicurean skill to the nutritious feeding of the masses. Brandon tells Soyer’s story briskly, though not flawlessly. A confusing literary device—structuring the book around a menu, and opening each chapter with a recipe—distracts from the overall fare. (Do we really need to know that the mention of bones, in a recipe for soup, reminds Brandon of “my mother’s continually simmering stockpot”?)

Quibbles aside, devotees of Ruth Reichl and M.F.K. Fisher will gobble up this delicious new gastronomic biography.

Pub Date: April 30, 2005

ISBN: 0-8027-1452-8

Page Count: 336

Publisher: Walker

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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