Next book

PASSING ON

WHAT'S FAIR IN FAMILY INHERITANCE?

A valuable resource crafted with intelligence and thoroughness.

A practical and philosophical consideration of the moral dilemmas that arise during estate planning.

One’s last will is more than just a legal document—it’s also a skein of tangled ethical conundrums that raises profound philosophical questions about the scope of individual freedom, weighed against the demands of social justice. Author Dixon-Mueller (Population Policy and Women’s Rights, 1993, etc.) has written a concise but comprehensive guide to navigating these murky waters that considers the full range of stakeholders and competing principles. She begins by sketching a synoptic history of the very idea of inheritance, discussing its ancient iteration within the Roman Republic and its several permutations through the American Colonial period until today, showing how shifts in popular attitudes to inheritance were partly a function of changing social and moral norms. Then the author discusses broader issues of equity that pull the reader into the realm of political philosophy, pitting freedom against the collective needs of society and, by extension, interrogating the proper scope of state regulation. While she provides practical guidance regarding potentially challenging conversations about the way in which one bequeaths one’s property, she artfully dedicates much of the work to raising and refining, in almost a Socratic fashion, moral problems that might be easy to miss. For example, Dixon-Mueller sensitively discusses the difficulties posed by sentimental heirlooms and contradictory claims to them. Also, she discusses problems that arise when determining the proper timing of disbursement of property: what if one’s adult children could use that wealth now, well in advance of one’s passing? The entire work is laced with a kind of pragmatic optimism; although many of these puzzles may seem intractable, the author is confident that reasonable solutions can be found: “balances can be struck; that is part of the challenge.” Overall, this is a marvelously accessible book, which is remarkable given its philosophic depth and rigor.

A valuable resource crafted with intelligence and thoroughness.

Pub Date: Sept. 17, 2017

ISBN: 978-1-5469-9147-2

Page Count: 194

Publisher: CreateSpace

Review Posted Online: Oct. 16, 2017

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Close Quickview