In this thoughtful, affecting, and often funny story, Pennebaker (Conditions of Love, 1992, etc.) looks at life through the eyes of a naïve girl learning to balance life as her mother struggles with breast cancer. Liza is 15 and firmly believes that a positive attitude brings positive results. She resolutely ignores the stress that her mother’s cancer brings to her own life, writing an advice column full of platitudes in her high school newspaper. But her “voice over” narration reflects her inner conflict, as she reports on her own changing behavior as well as that of those around her. Bringing the essence of these contradictions into a telling line or two, Liza says, “That’s what high school’s like. You never, ever, talk about big problems you’re having. You always go around, protecting yourself, acting like everything’s fine.” Home is like that, too. Everyone is trying to protect the others. Occasionally, Liza’s mom reflects on her side of this struggle, and the reader comes to understand that the family has trapped her into maintaining an upbeat attitude that is as hard to handle as the cancer. When her mother announces that she will refuse a debilitating stem-cell transplant in order to have a higher quality of life, knowing that the cancer will eventually kill her, Liza must abandon her rose-colored optimism. She’s finally able to see her mother’s strength, and through her mother’s love, to gain the strength she needs to cope. This is a subtle, absorbing examination of a girl’s difficult passage into maturity through the voice of one of the truest narrators in the genre. (Fiction. 12+)
Pub Date: June 1, 2000
ISBN: 0-8050-6105-3
Page Count: 202
Publisher: Henry Holt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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