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FIREFIGHTERS TO THE RESCUE!

From the Breezy Valley at Work series

Classic in style, rich in information, and sweet in story.

A save-the-day story sprinkled with firefighter facts.

What happens when the Tabby Twins get stuck on an ice cream cone sign during a kitchen fire? Led by cheerful, orderly Chief Piggie, the firefighters of Breezy Valley—a group of anthropomorphic animals—spring into action! At the scene of the emergency, the Tabby Twins argue while stranded on the ice cream cone sign. “You’re breathing my air,” snipes one. “Am NOT!” retorts the other. Their squabble lightens the mood and signals that all will be OK, and sure enough, they are returned to their mother promptly so the crew can fight the flames below. Next, it’s on to fight a meadow fire and then time to unwind at the firehouse…until a late-night siren interrupts again—a firefighter’s job is never done! The illustrations are reminiscent of Richard Scarry’s work. Bustling scenes will keep readers searching for stories within the story. The main narrative, conveyed in blocky black text, can be followed easily, while the use of speech bubbles in the art adds to the fun. Early on, an elaborately labeled illustration of turnout gear is followed by diagrams of pumper and ladder engines and Brush Breaker trucks, making this a true love letter to firefighters and their tools. At the end of the book, Alley encourages readers to go back and spot details hidden in the art. (This book was reviewed digitally.)

Classic in style, rich in information, and sweet in story. (Picture book. 4-8)

Pub Date: Oct. 3, 2023

ISBN: 9781662670275

Page Count: 32

Publisher: Kane Press

Review Posted Online: July 26, 2023

Kirkus Reviews Issue: Aug. 15, 2023

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READ ALL ABOUT IT!

Visually sweet, though hampered by disjointed storytelling.

In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.

Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.

Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)

Pub Date: March 3, 2026

ISBN: 9780063357549

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 26, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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MAYA'S BIG QUESTION

From the Ambitious Girl series , Vol. 3

Another empowering outing led by a dynamic young role model.

The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.

On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.

Another empowering outing led by a dynamic young role model. (Picture book. 5-8)

Pub Date: Feb. 3, 2026

ISBN: 9780316561341

Page Count: 40

Publisher: Little, Brown

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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