by Ryan Andrews ; illustrated by Ryan Andrews ‧ RELEASE DATE: June 11, 2019
Brilliantly enchanting.
Two reluctant friends—and a talking bear—journey deep into the night in search of answers.
The night of the annual Autumn Equinox Festival unfolds as the villagers cast hundreds of lanterns down the river in honor of a local folk legend. For Ben, this year will be different from the rest. He and his friends make a pact to follow the lanterns until the unknown end of their voyage. One by one Ben’s friends give up and return home, all except for Nathaniel, whose love for the cosmos and nerdy ways ostracize him from the group. In spite of his misgivings, Ben decides to uphold the pact with Nathaniel. A third, unexpected member joins the adventure when the boys come across a talking fisherbear who’s on a quest to fish as his ancestors did. The trio eventually loses track of the path, and an unplanned encounter with the feisty Madam Majestic leads to even greater escapades. To shed more light on the story risks spoiling Andrews’ marvelously melancholic, earnest graphic novel, at its core an exercise in whimsical self-reflection. This story’s a quiet one in which danger flickers and hope flares at odd but fruitful moments. The core relationship between Ben (a dark-haired, light-skinned, bespectacled boy) and Nathaniel (a dark-skinned boy with puffs of hair) never veers into pure mawkishness. Likewise, the primarily blue and red mixed-media pictures underscore how nighttime sometimes promises transformation.
Brilliantly enchanting. (Graphic fabulism. 10-14)Pub Date: June 11, 2019
ISBN: 978-1-250-19695-8
Page Count: 336
Publisher: First Second
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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by Deborah Ellis & Anita Doron ; adapted by Shelley Tanaka ‧ RELEASE DATE: Jan. 1, 2018
A rather unsatisfying graphic novel, sure to disappoint fans of Ellis’ book.
A graphic-novel adaptation of Ellis’ heartwarming story of Parvana, a young girl in Afghanistan who cuts her hair and dresses as a boy to earn money for her family when her father is imprisoned by the Taliban.
Adding a layer of remove from the original, this graphic novel is an adaptation of the upcoming film version, and it varies significantly from the original book. Notable deviations include the absence of helpful Mrs. Weera, who provides so much support to Parvana and her family in the original book, and two new details: a grudging former student who tattles on Parvana’s father and Parvana’s solo visit to rescue her imprisoned father. Much story is lost as a result of the numerous deviations, which also sadly promote Western views of Afghanistan, such as rampant corruption and violent men. Even as a stand-alone title for readers not familiar with the book, the storyline is bumpy, moving in fits and starts. At one point, Parvana’s mother decides to abandon Parvana and leave for the neighboring village but then changes her mind midway. Another disappointment is the book cover, which shows Parvana selling chai, something she does not do in either story (although her friend does). The only redeeming factor is the beautiful artwork, stills from the film, with its vivid use of colors to display context, such as use of red for war and black for the Taliban rule.
A rather unsatisfying graphic novel, sure to disappoint fans of Ellis’ book. (Graphic historical fiction. 10-14)Pub Date: Jan. 1, 2018
ISBN: 978-1-77306-118-4
Page Count: 80
Publisher: Groundwood
Review Posted Online: Dec. 2, 2017
Kirkus Reviews Issue: Jan. 1, 2018
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by Vera Brosgol ; illustrated by Vera Brosgol ‧ RELEASE DATE: May 7, 2024
A pride-filled treatise and a charming riff on fairy tales.
After her parents’ sudden death, brown-haired, pale-skinned Jane is threatened with eviction from her family home.
Despite her low self-image, based on years of shallow, fatphobic taunts from her parents, Jane suggests a deal to discontented fisherman Peter, who’s thin and has blond hair and blue eyes (as well as being vapid and arrogant). They’ll marry, and then she can inherit her fortune, and he can enjoy the luxurious lifestyle he craves. It seems like a great plan, until Peter is taken captive and imprisoned underwater by a mermaid. The determined Jane seeks magical assistance and heads to the mermaid village at the bottom of the sea to retrieve Peter. Brosgol’s illustrations provide much of Jane’s characterization through her delightfully expressive face, which shines with pleasure and grimaces in disgust; her round eyes are alert to all the charms of the sea. Fortunately, she’s rescued by an acerbic, grumpily appealing seal, who educates her about the sea’s perils. This story is an explicit response to society’s valuing of beauty and contempt for its absence, especially when it comes to girls and women. Pitted against a slender, cruelly vain mermaid who weaponizes her looks, Jane emerges as a thoughtful, tenacious hero who’s learning to appreciate her own value. Brosgol redeems the occasional preachiness with her portrayal of Jane as an individual—funny, flawed, and triumphant.
A pride-filled treatise and a charming riff on fairy tales. (author’s note, beat boards, coloring process) (Graphic fantasy. 10-14)Pub Date: May 7, 2024
ISBN: 9781250314864
Page Count: 368
Publisher: First Second
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
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