Cloak-and-dagger action dominates the cyber-punkish premise of software gone bad.
A 2040 digital disaster kills millions as a software entity seems to malfunction in LeKodak’s cautionary SF thriller.
In 2040, an artificial intelligence software system called Gaius governs all transportation, from self-driving automobiles to spacecraft. On a fateful January day (dubbed “Mayday”), Gaius suddenly goes offline. Millions of humans on land, sea and above in the skies are killed as planes crash and boats and space shuttles drift into oblivion. In the aftermath, a small cast tries to solve the riddle of whether Mayday was just a tragic glitch or deadly terrorism—possibly via a computer incursion inflicted on the supposedly foolproof Gaius. The ensemble includes José, a “retired” CIA agent (which, in this grim worldview, means he constantly dodges assassins); DJ, a crack U.S. commando who consults with his master-hacker brother, CJ; Ndidi, a Nigerian heiress renowned for breakthroughs with autistic children; and sisters Karla and Liz, conjoined twins from a Russian orphanage who, despite their disability, work together as fearsome killers. Flashbacks going back to September 11, 2001, delineate the character connections and illustrate, year by year, how the Gaius crisis evolved (it only takes reading the novel’s title to perceive that a rogue artificial intelligence is the lead suspect in the disaster). The author has a jaundiced, Robert Ludlum–like view of world power structures, in which public servants can hardly wait to kill each other, though the focus on just a handful of key actors closes off a bigger-picture view of high-tech 2040 Earth. There is plenty of programmer/coder-talk (“Next, he swept through her source code. More codes swarmed his screen as he tunneled deeper through the firewalls”), but in the action-heavy context, it should not alienate most readers (it’s fairly indistinguishable from magic spells). A cliffhanger ending leaves the port open to sequels.
Cloak-and-dagger action dominates the cyber-punkish premise of software gone bad.Pub Date: April 21, 2023
ISBN: 9798987974292
Page Count: 496
Publisher: RandallVision
Review Posted Online: July 19, 2023
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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