A clever, funny prod to do the right thing when changes take root.
A newcomer tests the friendship between a porcupine and his beloved tree, Mildred.
Being well used to playing games with his silent, leafy partner, conducting one-sided conversations, and having her all to himself, Norman is outraged when a sapling springs up nearby: “And WHO is THAT?!” Seeing his best friend drifting away (figuratively), Norman is soon driven by anger and insecurity to dig up his leafy rival in the dead of night and cart it very, very far away—only to be wracked by both fear of being found out and, more worthily, guilt a little later. “I have hit rock bottom!” he declares, falling into the still-open hole next to Mildred, and so hastens off to fetch back the new tree and accommodate himself to being one of three…or, as Higgins suggests in a final scene, maybe more. A tubby figure with wide eyes and a worried expression, Norman strongly resembles a plush toy or inexcusably cute toddler in the mix of large cartoon panels and full-page scenes. Younger children, even those without new sibs or other strangers horning into the family, will have no trouble seeing him as a stand-in or understanding his upset. Along with appreciating the sly Giving Tree vibe and the comical way the narrative and the balloon-enclosed dialogue play off each other, older audiences may see a bit of a message for them, too.
A clever, funny prod to do the right thing when changes take root. (Picture book. 3-6)Pub Date: Sept. 7, 2021
ISBN: 978-1-368-02623-9
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way.
All the typical worries and excuses kids have about school are filtered through Willems’ hysterical, bus-loving Pigeon.
Told mostly in speech balloons, the bird’s monologue will have kids (and their caregivers) in stitches at Pigeon’s excuses. From already knowing everything (except whatever question readers choose to provide in response to “Go ahead—ask me a question. / Any question!”) to fearing learning too much (“My head might pop off”), Pigeon’s imagination has run wild. Readers familiar with Pigeon will recognize the muted, matte backgrounds that show off the bird’s shenanigans so well. As in previous outings, Willems varies the size of the pigeon on the page to help communicate emotion, the bird teeny small on the double-page spread that illustrates the confession that “I’m… / scared.” And Pigeon’s eight-box rant about all the perils of school (“The unknown stresses me out, dude”) is marvelously followed by the realization (complete with lightbulb thought bubble) that school is the place for students to practice, with experts, all those skills they don’t yet have. But it is the ending that is so Willems, so Pigeon, and so perfect. Pigeon’s last question is “Well, HOW am I supposed to get there, anyway!?!” Readers will readily guess both the answer and Pigeon’s reaction.
Yes, the Pigeon has to go to school, and so do readers, and this book will surely ease the way. (Picture book. 3-6)Pub Date: July 2, 2019
ISBN: 978-1-368-04645-9
Page Count: 40
Publisher: Hyperion
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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