Harrison pens a good, basic story stretched thin by unnecessary and distracting detail.
Harrison’s first novel tells the story of a couple splitting apart, with alternating chapters featuring the viewpoints of the main characters.
Jodi Brett and her longtime companion, Todd Gilbert, have been in a satisfying 20-year relationship. Jodi, a psychotherapist, works out of their expensive Chicago condominium, seeing two clients a day during the week and spending the remainder of her time taking classes in flower arranging, walking their golden retriever, Freud, and preparing gourmet meals. Todd, who worked his way up in independent development by flipping properties, had an unhappy childhood. Their comfortable life, marred only by his occasional straying eye, seems to suit them both, at least until he catches sight of Natasha. The daughter of an old friend, Natasha is no longer a pimply teenager with black nail polish and garishly dyed hair. Instead, she has turned into a curvaceous coed who becomes involved in a tempestuous relationship with Todd, the man Jodi thought would always be there for her. Now, Natasha is demanding that Todd leave Jodi and seems determined to make that happen, even if she has to resort to a few nasty tricks of her own. But Jodi isn’t through with Todd, nor is she ready to roll over and play dead: In fact, if anything, she’s prepared to make sure someone else meets that fate if that’s what it takes to stop the events that threaten to disrupt her carefully ordered existence. Harrison, who in real life is also a psychotherapist, writes a neat atmospheric tale that examines life from both characters’ points of view but sometimes works a bit too hard to cram extraneous detail into the story, particularly when it comes to psychotherapy and Jodi’s present clients. While readers can probably get over a few mentions of Jodi’s work, the Q-and-A style rendition of her own therapy and references to different schools of psychological thought may make readers’ eyes glaze.
Harrison pens a good, basic story stretched thin by unnecessary and distracting detail.Pub Date: June 25, 2013
ISBN: 978-0-14-312323-1
Page Count: 336
Publisher: Penguin
Review Posted Online: March 10, 2013
Kirkus Reviews Issue: April 1, 2013
Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and...
In Pinborough’s (Behind Her Eyes, 2018, etc.) twisty, decade-spanning, multivoiced thriller, everyone has secrets: teenager Ava; her mom, Lisa; and Lisa’s best friend, Marilyn.
On the surface, all three women fulfill the roles expected of them, and they support and love one another, but they don’t truly know each other. Ava, a competitive swimmer, is finishing up her exams and sneaking around with her first boyfriend while overly protective mom Lisa is about to clinch a big contract at work—and maybe even go on a date with a handsome millionaire client. Marilyn has been dealing with headaches at home, but she’s still game for a shopping trip to outfit Lisa for that big date. Soon, however, they will discover that someone else in their lives has a secret much darker than any they carry. This person is a murderer who is stalking a childhood friend who, they believe, betrayed their deepest trust. There are a lot of plot twists and reveals within the novel, some of which are surprising, some of which are expected. Pinborough weaves several different time periods and several different narrative voices to create layers of character and conflict, but the characters are types often found in psychological thrillers, and while their problems are often relatable, at least at first, they aren’t particularly engaging. It’s clear which decisions, and which silences, are going to get them into trouble, and yet, as people do, they carry on anyway. The one element that sets Pinborough’s novel apart from the slew of similar thrillers is the emphasis on female empowerment and the power of female relationships. These women need no one to save them, no knights in shining armor or handsome cops. As Marilyn succinctly puts it, “Fuck. That. Shit.”
Fans of Gillian Flynn and Paula Hawkins will find this comfortingly familiar despite (or maybe because of?) the shocks and turns along the way.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-285679-1
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
Like James Lee Burke’s Louisiana, Atkins’ violent Mississippi idylls seem more and more clearly shaped as installments in an...
As if Mississippi’s Tibbehah County didn’t have enough present-day malfeasance to keep Sheriff Quinn Colson hopping, a cold case brings the customary pot of criminals and misfits to yet another boil.
Newly married to Maggie Powers, Quinn would like nothing better than to take a break from his hometown’s constant diet of organized and disorganized crime and begin adoption proceedings for Maggie’s 8-year-old son, Brandon. Not happening. His attention is demanded by another Brandon, who’s suddenly captured the imagination of Thin Air podcast reporter Tashi Coleman and her producer, Jessica Torres. They’ve made the trip down from New York at the behest of Shaina Taylor, whose brother vanished in the wilderness 21 years ago before turning up shot to death a week later. Brandon Taylor, the cold-case publicity hounds announce, has waited long enough for justice, and they aim to camp out in Tibbehah County, asking awkward questions and bedding the locals, until they’ve gotten to the truth. Does this mean that franchise villains like Fannie Hathcock, the county’s premiere supplier of sweet young female companionship, and the syndicate she’s in bed with will wither from neglect? Not a bit, because they’re all tied in to Brandon Taylor’s long-ago shooting, U.S. Marshal Lillie Virgil’s recent arrest of fugitive Wes Taggart, and the race-baiting gubernatorial campaign of state Sen. Jimmy Vardaman. When Taggart, who hints that he knows where the bodies are buried, is shot to death in his cell by a pair of hired killers who manage to infiltrate the jail, his murder raises what ought to be the pivotal question of “why his sorry ole ass was so important to the Syndicate boys.” But the furious torrent of crimes past and present and revelations about same keep any one question or plotline from rising above the fray.
Like James Lee Burke’s Louisiana, Atkins’ violent Mississippi idylls seem more and more clearly shaped as installments in an ongoing serial drama, and this one, ending with both a bang and a whimper, seems mainly intended to set up the next.Pub Date: July 9, 2019
ISBN: 978-0-525-53946-9
Page Count: 464
Publisher: Putnam
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
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