by Sallie Tisdale ‧ RELEASE DATE: Sept. 25, 1991
The Pacific Northwest, as concept and reality, is the focus of this impressionistic, strangely seductive pastiche from lifelong area-resident Tisdale (The Sorcerer's Apprentice, 1986; Harvest Moon, 1987; Lot's Wife, 1988). The densely worded, unstructured narrative paints an ecological and spiritual portrait of a land often threatened by its most ardent admirers. Interwoven with historical records—including the testimony of explorers, pioneers, and the author herself—are accounts of the ways ``we destroy the land in order to inhabit it'': deforestation from logging; fishing and hunting to extinction; dams eradicating unique terrain and wildlife; the near- genocide of native tribes. But, ``seduced by this land,'' Tisdale is at her most impassioned in depicting forests, mountains, and waterways—which seem more alive here than the people who traverse them. They are seen as epic, not only in size (Douglas firs with ``more needles than this country has people,'' mountains equal in volume to one-trillion six-foot men), but also in the rhythms of existence, such as the ``climax forest,'' which, ``left alone...will pulse its own slow pulse, exhale its own slow breath, forever.'' At times, the lush, overheated prose makes for difficult reading, yet it works admirably in reflecting the bounty of the area. And, refreshingly, Tisdale, an admitted ``tree hugger,'' does little ecological lecturing, preferring to let her tale of nature caught in a fragile balance with civilization convey its own message. An odd and lovely work for partisans of the region and nature- lovers in general.
Pub Date: Sept. 25, 1991
ISBN: 0-8050-1353-9
Page Count: 304
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1991
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BOOK REVIEW
by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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