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DIANA IN SEARCH OF HERSELF

PORTRAIT OF A TROUBLED PRINCESS

An engrossing character study of the beautiful, brave, but psychologically bent princess who became an icon, by Vanity Fair contriduting editor Smith. Diana, her family, her friends, and the media who dogged her seemed bent on denying the serious emotional problems that shaped her private and sometimes public actions. According to Smith (Reflected Glory: The Life of Pamela Churchill Harriman, 1996), Diana almost certainly suffered from borderline personality disorder, a psychiatric diagnosis characterized by feelings of inferiority, dependence, and confusion about identity. Borderline personalities are often “self-destructive, easily depressed, panicky and volatile,” while superficially “charming, insightful, witty, and lively.” As revealed in this profile, backed by archival research and personal interviews, Diana was all of the above and more. Given to bulimia, self-mutilation, lies, and suicide attempts through most of her adult life, Diana’s problems began at six years old when her “childhood was shattered” by her parents’ separation; the pressure of her royal engagement brought all her insecurities to the surface. Charles was unable, although at first not unwilling, to cope. He arranged psychiatric counseling several times, to no avail. In 1985, Diana took the first of a series of lovers, and Charles turned to Camilla; envy, vengeance, pride, fear, rage, despair , and ignorance all played roles in the divorce that followed, says Smith. She maintains an even keel in assessing the princess, giving credit for her genuine devotion to her children as well as her warmth, compassion, and generosity. The author also acknowledges Charles for trying, if ineffectually, to help his wife, while indicting the British tabloid press for using her to sell newspapers. Probably not the definitive study (many witnessses to Diana’s life are still unwilling to talk on the record), but an informed and astute appraisal of the 20th century’s possibly most celebrated celebrity. (32 pages b&w photos, not seen) (First serial to People magazine; Literary Guild selection; author tour; TV satellite tour)

Pub Date: Sept. 1, 1999

ISBN: 0-8129-3030-4

Page Count: 320

Publisher: Times/Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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