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MR. TIGER, BETSY, AND THE BLUE MOON

Should please Anglophiles fond of cozy, English cultural references and nonstop whimsy.

A fantasy series opener from the author of Carnegie Medal winner Maggot Moon (2013).

Betsy K. Glory lives on a small island with her ice-cream–making dad, who owns a cafe; her ocean-dwelling mermaid mum pays them weekly visits. When Betsy and Mr. Glory deliver his latest concoction to an ice-cream–fancying toad, the amphibian reveals that she is Princess Albee, self-exiled from her home on Gongalong Island after her giantess half sister, Princess Olaf, made a wish that turned her into a toad, a wish Albee is unable to overturn. While confirming Mum’s assertion that Gongalong Island’s berries, when made into ice cream, grant wishes, Albee says they must be picked during a blue moon. Sadly, no one knows how to turn the moon blue. Worse, Princess Olaf has fenced off most of their island for her own use, making it nearly impossible for the remaining resident Gongalongs (tiny humanoids) to escape. When Mr. Tiger and his oceangoing circus, which features Gongalong acrobats, arrive on Betsy’s island, he hatches a plan to free the Gongalongs and Princess Albee. With an elaborately silly plot and flimsy characterization, the story feels rudderless; it lacks thematic heft. A few moments sparkle, though, and the abundant, imaginative illustrations (executed in blue, to match the blue type) provide continuity and quirky charm. Human and human(oid) characters default to white.

Should please Anglophiles fond of cozy, English cultural references and nonstop whimsy. (Fantasy. 6-9)

Pub Date: April 7, 2020

ISBN: 978-0-593-09516-4

Page Count: 192

Publisher: Penguin Workshop

Review Posted Online: Dec. 17, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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GROWING HOME

Charming.

An assortment of unusual characters form friendships and help each other become their best selves.

Mr. and Mrs. Tupper, who live at Number 3 Ramshorn Drive, are antiquarians. Their daughter, Jillian, loves and cares for a plant named Ivy, who has “three speckles on each leaf and three letters in her name.” Toasty, the grumpy goldfish, lives in an octagonal tank and wishes he were Jillian’s favorite; when Arthur the spider arrives inside an antique desk, he brings wisdom and insight. Ollie the violet plant, Louise the bee, and Sunny the canary each arrive with their own quirks and problems to solve. Each character has a distinct personality and perspective; sometimes they clash, but more often they learn to empathize, see each other’s points of view, and work to help one another. They also help the Tupper family with bills and a burglar. The Fan brothers’ soft-edged, old-fashioned, black-and-white illustrations depict Toasty and Arthur with tiny hats; Ivy and Ollie have facial expressions on their plant pots. The Tuppers have paper-white skin and dark hair. The story comes together like a recipe: Simple ingredients combine, transform, and rise into something wonderful. In its matter-of-fact wisdom, rich vocabulary (often defined within the text), hint of magic, and empathetic nonhuman characters who solve problems in creative ways, this delightful work is reminiscent of Ferris by Kate DiCamillo, Our Friend Hedgehog by Lauren Castillo, and Ivy Lost and Found by Cynthia Lord and Stephanie Graegin.

Charming. (Fiction. 6-9)

Pub Date: May 27, 2025

ISBN: 9781665942485

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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