Hysterical.
A bright and hilarious escapade about an otter who, bored while her owner’s at work, opens a toast restaurant.
Otter lives happily in a house with Otter Keeper, a youthful human adult, and Teddy, a stuffed bear. Her only disappointment is the news that arrives every Monday: Otter Keeper must go to work. Stopping time (by placing the clock in a fish tank) doesn’t prevent Otter Keeper’s departure, and why don’t Otter and Teddy have their own jobs anyway? Clearly, they need to open a toast restaurant. Chaos builds, with all blame assigned to Teddy. The hapless bear forgets to take reservations, causing a long line of impatient toys, and gets orders wrong—burned toast, unpeeled banana, a restaurant patron spread with jam and set on a plate. Underneath these jokes runs a broader one: Otter’s first-person narration imbues Teddy (and the other toys) with consciousness and agency, though readers see that Teddy’s an inanimate stuffed animal who needs propping to even sit up. Preschoolers will love the notion that Teddy’s at fault for the accumulating mess, especially when—after only small- and medium-size spot illustrations surrounded by relaxing white space—the kitchen suddenly explodes into a riotous full-bleed spread of mayhem. Garton’s cartoon-style digital illustrations are rich with clear, medium-saturation colors, with shading and texture as highlights.
Hysterical. (Picture book. 3-6)Pub Date: April 29, 2014
ISBN: 978-0-06-224775-9
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Jan. 28, 2014
Kirkus Reviews Issue: Feb. 15, 2014
Like its subject: full of bustling life yet peaceful.
Life buzzes in a community garden.
Surrounded by apartment buildings, this city garden gets plenty of human attention, but the book’s stars are the plants and insects. The opening spread shows a black child in a striped shirt sitting in a top-story window; the nearby trees and garden below reveal the beginnings of greenery that signal springtime. From that high-up view, the garden looks quiet—but it’s not. “Sleepy slugs / and garden snails / leave behind their silver trails. / Frantic teams of busy ants / scramble up the stems of plants”; and “In the earth / a single seed / sits beside a millipede. / Worms and termites / dig and toil / moving through the garden soil.” Sicuro zooms in too, showing a robin taller than a half-page; later, close-ups foreground flowers, leaves, and bugs while people (children and adults, a multiracial group) are crucial but secondary, sometimes visible only as feet. Watercolor illustrations with ink and charcoal highlights create a soft, warm, horticulturally damp environment. Scale and perspective are more stylized than literal. McCanna’s superb scansion never misses, incorporating lists of insects and plants (“Lacewings, gnats, / mosquitos, spiders, / dragonflies, and water striders / live among the cattail reeds, / lily pads, and waterweeds”) with description (“Sunlight warms the morning air. / Dewdrops shimmer / here and there”). Readers see more than gardeners do, such as rabbits stealing carrots and lettuce from garden boxes.
Like its subject: full of bustling life yet peaceful. (author’s note) (Picture book. 3-6)Pub Date: Feb. 18, 2020
ISBN: 978-1-5344-1797-7
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 18, 2014
Kirkus Reviews Issue: June 1, 2014
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