A middling fantasy, with some nice touches for the metamagically-inclined bookworm.
A romp across genres encompasses a bookish mystery.
The portentously named Augustus Fate is “one of the most famous and celebrated authors alive today.” He’s also a world-class loon. Young Jaime Lancia is your standard underachiever, though not for want of trying: At the beginning of Mills’ novel, he’s filled out more than 540 job applications. Landing an interview with Fate may land Jaime a journalism gig, and so he heads to the Welsh countryside to find the great man, who meets him not in the resplendent cape of his author photos but “wearing a navy jumper with holes in it, a pair of brown corduroys and sandals, displaying a row of large, gnarled toes.” Fate is more interested in Jaime’s tale than his own, especially when it comes to Jaime’s yearning for Rachel Levy, so much so that Jaime winds up inventing tales about her to see what Fate will do with them: “The thought of him stealing my lies and weaving them into his prose, confident all the while that he was turning life into art, made me smile.” Well, abracadabra, Fate does him much better, stealing Jaime and Rachel away and locking them into a series of stories, one Dickensian, one a kind of pastiche Gogol, one set in London a generation or so after Jaime’s own day. “My novel is but a refuge from this world,” says one of several narrators, one of them Rachel, who at one point says, self-referentially, “We’re going to crash.…Funny how panic turns you into a narrator.” David Mitchell did much of this work, crash and all, with considerably more skill in Cloud Atlas, and not all of Mills’ rhetorical flourishes ring true. But her yarn has its moments, and it’s a passable entertainment.
A middling fantasy, with some nice touches for the metamagically-inclined bookworm.Pub Date: Feb. 11, 2025
ISBN: 9781685891916
Page Count: 544
Publisher: Melville House
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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