Come for the riveting father-son mystery, stay for the most beautiful and moving mother-son story in recent memory.
Losing Mom: heartfelt autofiction from a man who just may be Bob Dylan’s son.
“‘Uncanny, the way you look like him. Bob Dylan. You know his music?’” As soon as you encounter the premise of Sussman’s debut novel, you will surely Google him, and see that his resemblance to the man who wrote “Girl From the North Country” is somewhere beyond uncanny. Sussman has also published an article in Harper’s Magazine that explains the real-life basis of the novel—his mother’s year-long relationship with Dylan and a later meeting nine months before he was born. He magicks this material into a gorgeous, emotionally thrilling first-person novel chronicling the death of the narrator Evan’s mother from cancer, a period during which she finally shares more of the truth about her connection with Dylan, as well as other stories of her life, some terrible and some amazing. All of this has been completely hidden from Evan till now, despite the fact that he and June were very close in his childhood. Their emotional intimacy was built on play-acting and storytelling, on King Arthur and Harry Potter (the Potter saga is a surprising and important touchstone throughout), and also fraught due to her stormy relationships with his stepfather and other men. Despite these romantic disappointments, and things far worse than disappointment, June persists in believing, and wanting her son to believe, that there is nothing holier than love. As the novel opens, she has called him in London—Evan has lived abroad since college—to tell him she has cancer, though she withholds the seriousness of her condition for most of the book, continuing to pursue both holistic and Western treatment. The night he arrives, she serves him an alfresco dinner of homegrown vegetables: “The eggplant lay gleaming on its browned back. Beets glowed blood red. Crisped collard and kale lay entangled in the baking tray. In the pan the bloomed popcorn was spiced and golden.” They recite poetry to each other to bless the meal. The love that swells beneath this scene, and every scene, will just about knock you over.
Come for the riveting father-son mystery, stay for the most beautiful and moving mother-son story in recent memory.Pub Date: Sept. 16, 2025
ISBN: 9780593835050
Page Count: 336
Publisher: Penguin Press
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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