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MARROW

Female power mixes with the occult in this bumpy tale.

A woman goes to extremes to gain access to her heart’s desires: community and control.

Oona believes she is cursed. And while to most people the idea of a curse may seem farfetched, for Oona, who was raised by a group of self-proclaimed witches, it’s a distinct possibility. She grew up on Marrow Island, off the coast of Maine, at the Bare Root Fertility Center, owned and operated by her mother, Ursula. This fertility center is staffed by midwives who call themselves witches, and who treat their clients—both those who are giving birth at the center, and those who are desperate to get pregnant—with a mixture of holistic and (supposedly) otherworldly medicines. Unfortunately, Ursula doesn’t believe that Oona has the gift of magic, and so Oona spent her childhood on the outskirts, desperate to find a way in, until eventually she was kicked out under mysterious circumstances. As an adult Oona realizes that her way back into the coven is the same as any other woman’s: She needs to be pregnant. But Oona is plagued by a series of miscarriages. She believes these miscarriages aren’t an accident of biology but instead are a curse by her late childhood friend, Daphne, who Oona thinks is punishing her for an attempted spell gone wrong. When Oona is once again pregnant, she successfully sneaks her way back into Bare Root under disguise, attempting to atone for her past and gain entry into her coveted coven. The first half of the novel is a frustrating combination of convoluted and slow. Once Oona begins to uncover some dark secrets at the fertility center, though, Shea finds her footing and the reader will mostly be hooked.

Female power mixes with the occult in this bumpy tale.

Pub Date: Sept. 9, 2025

ISBN: 9780593851951

Page Count: 336

Publisher: Putnam

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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WOMAN DOWN

A dark and twisty look at just how far one woman is willing to go to find inspiration.

A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.

Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”

A dark and twisty look at just how far one woman is willing to go to find inspiration.

Pub Date: Jan. 13, 2026

ISBN: 9781662539374

Page Count: -

Publisher: Montlake

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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