An engaging look at a topic that many choose to ignore or are too embarrassed to discuss.
A colorful, graphics-heavy exploration of how “the internet was built on sex, and sex has remained its through line no matter how hard some people try to deny it.”
Before smartphones and social media platforms, the earliest days of the internet began with connections and communication, and a key part of that was sex. “A demand for sex built the shopping cart, browser cookie, ad revenue models, payment processors, and the dynamic web page,” writes Cole, a senior staff writer for Motherboard, VICE’s science and technology outlet. “The desire to explore and share our sexuality constructed the internet, piece by piece, as we know it today.” The author takes us back to the earliest days of the internet, when communication online was difficult and slow. She then discusses how the development of graphics on computers can be traced back to a test image of the face of a Swedish Playboy model in 1972. She moves on to the explosion of user-generated content, from early Bulletin Board Systems; to “lifecasters” like Jennifer Ringley, who launched her 24/7 webcam site, JenniCam, in 1996; to current tech developments, legislation, societal changes, and the figures, legitimate and exploitative alike, who have profited from creators and users—including those who use deepfake technology as well as Pornhub and a wide variety of online hosts for porn of every variety. “This is a history of control: how we had it, grappled for it, lost it, and how we can learn from the past to get it back,” writes the author. “And it’s a history that’s still being written as I type this. Power to the workers, the players, the posters, the survivors, my fellow members with me in the ‘now online.’ ” Cole presents an easy-to-read package complete with relevant sidebars (many of which define key terms), screenshots, photos, and other graphic elements.
An engaging look at a topic that many choose to ignore or are too embarrassed to discuss.Pub Date: Nov. 15, 2022
ISBN: 978-1-5235-1384-0
Page Count: 288
Publisher: Workman
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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