A salty, sexy story with a deeply likable heroine who's dancing as fast as she can.
Horsewoman and freelance writer Dunn unexpectedly loses herself in salsa, where she finds personal insight and a whole new community.
After nearly losing her leg in a horseback riding accident some years ago, Dunn was able to get back on the horse, but she didn't figure on doing much more dancing in her life. But after she’s (willingly, happily) seduced by her irresistible Latino blacksmith—he shoes her horse—she finds herself in desperate need of dancing lessons. Contrary to her expectations, she's almost immediately disillusioned with the blacksmith, but finds that the dancing has invaded her thoughts; she's begun to hear salsa beats as she walks down the street. Her teacher, too, has become strangely attractive to her after taking her out to a salsa club and showing her his amazing moves on the dance floor. Dunn can't understand the turn her life is taking, but she’s suddenly in total thrall to the Latin dancing world. She takes private lessons, seeks out gifted instructors and goes out to dance clubs every night, despite her bum leg and nagging lack of rhythm. She even begins wearing skirts, something she'd never imagined doing again after her accident. With a salty southern charm, Dunn is like the Brett Butler of the L.A. salsa scene, charming and seducing the reader into wondering whether maybe it’s time to sign up for salsa lessons at the local studio. As Dunn runs through her romantic misadventures and her stormy relationship with her mother, herself a dancer, she points to her many missteps, but the overall impression is of a woman who is finding her way, learning to trust herself and other people. Drama, humor and the heat of the salsa scene infuse the work.
A salty, sexy story with a deeply likable heroine who's dancing as fast as she can.Pub Date: Aug. 2, 2005
ISBN: 0-8050-7678-6
Page Count: 224
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2005
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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