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PLANET OF CLAY

A flawed novel with a main character whose quirks and eccentricities more than make up for it.

A view of war-ravaged Damascus from a girl who doesn’t speak.

The narrator of Syrian writer Yazbek’s latest novel is a young girl who may or may not have a mental illness; others certainly think she does, and her mother tells people that Rima is mad to excuse her odd behavior. But as a narrator, she has a fluid, lyrical style, if not an entirely reliable one. When Rima starts walking, she finds it difficult to stop, so when her mother has to leave her alone in the one-room apartment where they live with Rima’s older brother, she tethers Rima to the bedpost. Rima herself hardly ever goes out. One morning, however, she and her mother set off across town to visit the librarian who took Rima under her wing—teaching her to read, supplying her with pens and drawing paper. They’re stopped at a checkpoint, and what happens there sets in motion the events of the rest of this harrowing novel. It grows bleaker and bleaker as it progresses. The only real light spot is Rima herself, who makes for a brilliant guide—though she’d probably disagree. “Drawing is better than words,” she says at one point. “If I had my paints, I could make you understand me much more clearly.” Only toward the end does the novel’s central conceit—the conditions under which Rima is writing the words we’re reading—begin to show any cracks. Still, Rima is a fantastic character, and if the novel is imperfect, it’s worth reading for Rima alone. That’s a major success in itself.

A flawed novel with a main character whose quirks and eccentricities more than make up for it.

Pub Date: Sept. 7, 2021

ISBN: 978-1-64286-101-3

Page Count: 336

Publisher: World Editions

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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HALF HIS AGE

A debut novel with bright spots, but unbalanced and lacking in finesse.

A high school senior pursues an affair with her teacher.

Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.

A debut novel with bright spots, but unbalanced and lacking in finesse.

Pub Date: Jan. 20, 2026

ISBN: 9780593723739

Page Count: 288

Publisher: Ballantine

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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