An evocative, if slow-paced, meditation about people caught in the turning wheel of Syria’s violent present.
A wounded Syrian soldier reflects on his life and times.
In this compact, stream-of-consciousness narrative, 19-year-old Ali, a conscript in the Syrian Army fighting in the civil war that’s ravaged the country for more than a decade, lingers between life and death after a bomb accidentally falls on the position he shares with four comrades. While the severity of his injuries is uncertain, his thoughts range widely and deeply over his short life in the mountain village where he was raised as a member of the Alawite sect. Ali’s brother, who preceded him into the army, has already lost his life in the conflict, and the novel opens with a vivid description of his funeral, one that Ali experiences as if it were his own. As he alternates between lucid and hallucinatory moments, Ali recalls his encounters with characters such as Humayrouna, a more-than-century-old resident of the village who “raised him and taught him the language of trees,” and Abu Zayn, an army officer and wealthy landowner. Yazbek, a Syrian journalist and screenwriter who’s written previously about the war in both fiction and nonfiction, returns repeatedly to vivid imagery of trees, rivers, sky, and other aspects of the natural world that are central elements in defining Ali’s character and experience. His broken body lies beneath a large tree that evokes memories of a more than 500-year-old oak tree that stood next to the prayer space in his village, and in which he once constructed a kind of dwelling with the assistance of his mother, Nahla. Yazbek efficiently paints a portrait of her sympathetic protagonist, a young man possessed of both strong religious impulses and a rebellious streak that exposes him to beatings both at school and at home.
An evocative, if slow-paced, meditation about people caught in the turning wheel of Syria’s violent present.Pub Date: Feb. 6, 2024
ISBN: 9781642861358
Page Count: 168
Publisher: World Editions
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
BOOK REVIEW
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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