by Samira Shackle ‧ RELEASE DATE: Aug. 10, 2021
Moving tales of ordinary people navigating an unimaginable degree of violence and strife.
A journalist who has spent significant time in Karachi fashions a series of narrative portraits of the city’s beleaguered denizens, suffering “one of the worst outbreaks of violence” since the 1990s.
A coastal city bloated by migration since Partition in 1947, Karachi was the first capital of Pakistan, until 1967, and it remains the economic heart of the country. In these affecting portraits of five Karachiites trying to make a living in the dense, teeming metropolis, New Humanist editor Shackle—whose family emigrated from Pakistan to the U.K. in the 1970s before she was born—reveals the struggles of the countless disparate groups competing for physical space, jobs, and basic services like health care and sanitation as violent Mafia groups step in to fill the void left by a largely military government. Safdar, a young Pashtun who “emanates an electric energy,” is determined to become an ambulance driver after a childhood in which he helped take care of his polio-stricken brother. The job is one of the most dangerous in the city, taking him to retrieve corpses left by rival gangs. But he perseveres in order to help his fellow citizens, even thinking that he must eschew marriage because of the danger. Parveen, a young teacher in the “street schools” of Lyari, tries desperately to keep her vulnerable staff and pupils from joining the neighborhood gangs, at her own peril. Jannat, who lives in an isolated village just outside of the city, managed to complete school beyond the fifth grade, the first in the village to do so, but her prospects for personal advancement were thwarted by early marriage and children. In addition to the eye-opening personal stories, Shackle weaves in Pakistani history, including the rise of the Taliban and the dizzying array of political parties, riots, natural disasters, and sectarian violence that have plagued the city for more than a decade. The author also includes a timeline (1992-2018) and a list of relevant political groups.
Moving tales of ordinary people navigating an unimaginable degree of violence and strife.Pub Date: Aug. 10, 2021
ISBN: 978-1-61219-942-9
Page Count: 272
Publisher: Melville House
Review Posted Online: June 9, 2021
Kirkus Reviews Issue: July 1, 2021
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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