A finely crafted look at the complexities and grotesqueries of Hollywood and the human heart.
The monsters aren’t just on screen in this lurid graphic novel from Harkham about a horror-film editor with dreams of directing, his dissatisfied wife, his manipulative boss, and his alcoholic and occasionally violent colleagues.
Seymour loves horror movies and came to Hollywood to make them. In 1971, he mostly works as an editor at a small studio, but one day his boss wants to buy a script that Seymour has been shopping around. Despite his initial hesitation that the script isn’t right for the film his boss wants to make to satisfy an investor, Seymour seizes the opportunity. His commitment to his work causes tension with his wife, Ida, who regularly berates him for neglecting household responsibilities but tolerates the all-night, drug-fueled debaucheries Seymour attends at his boss’s mansion. Though Ida repeatedly rebuffs Seymour’s amorous advances, while he’s away she pleasures herself on the couch while their baby wails from another room. When the shoot of Seymour’s script faces logistical pressures, the studio gives Seymour an even bigger opportunity (enough rope to hang himself with?), and Ida takes their son on an open-ended visit to her family in New Zealand, where she spends time with childhood friends, including an old flame. Harkham weaves a psychologically complex tale, balancing the bad behavior of Hollywood with an intriguingly pragmatic look at the moviemaking process. Seymour’s passion for film and his conflicted conscience keep us reasonably sympathetic to him as he self-destructs, perhaps mostly because of his desire for Ida even as his stresses and urges don’t exactly keep him committed to her. Harkham’s text delivers punchy banter and sly sound effects, while his exceptionally expressive art is equal parts comic strip and cinema.
A finely crafted look at the complexities and grotesqueries of Hollywood and the human heart.Pub Date: May 2, 2023
ISBN: 9780593316696
Page Count: 296
Publisher: Pantheon
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
PERSPECTIVES
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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