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THE POSEN LIBRARY OF JEWISH CULTURE AND CIVILIZATION

VOLUME NINE: CATASTROPHE AND REBIRTH, 1939-1973

An edifying and diverse survey of 20th-century Jewish life.

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An extensive look at Jewish civilization and culture from the eve of World War II to the Yom Kippur War.

The ninth installment in this series covers the years between 1939 and 1973, from the Holocaust to the many facets of Diaspora, the founding of the state of Israel, and Jewish life in the United States. The material—edited by Kassow, a professor of history at Trinity College in Hartford, Connecticut, and Roskies, a professor of Jewish literature at the Jewish Theological Seminary in New York City—is generally organized with a short biographical sketch of each source followed by their written work or images. It contains works by such well-known authors as Anne Frank, Israeli Prime Minister Yitzhak Rabin, and Bob Dylan, whose lyrics to the 1965 song “Like a Rolling Stone” are reproduced in full: “Most readers might not regard Bob Dylan’s ‘Like a Rolling Stone’ as a ‘Jewish song,’ but its new voice, provocative and confrontational, evoked the defiance and disorientation that an entire generation was feeling,” note the editors. Less-famous writers also weigh in, such as those who wrote letters from the Westerbork transit camp during the German occupation of the Netherlands. Portions on visual culture include the architecture of Odessa-born Morris Lapidus and a photo by American Jewish photographer Rebecca Lepkoff, who documented New York City’s changing Lower East Side. At more than 1,000 pages, the work is certainly not a light read. Some material proves quite dense, such as extracts from Jacob Neusner’s There We Sat Down: Talmudic Judaism in the Making(1971), or may only appeal to a narrow audience, as with a discussion of Israeli sculpture. Still, it tackles an immense amount of information in often intriguing ways, as when novelist and screenwriter William Goldman writes of the conflict between Jews and Gentiles during his youth in prewar London with noteworthy grace, and the cover of the first issue of Captain America from 1941 reminds readers exactly how the hero, and his creators, felt about Adolf Hitler. It’s a weighty collection, to be sure, but one that’s consistently engaging.

An edifying and diverse survey of 20th-century Jewish life.

Pub Date: Nov. 24, 2020

ISBN: 978-0-300-18853-0

Page Count: 1088

Publisher: Yale Univ.

Review Posted Online: Jan. 25, 2022

Kirkus Reviews Issue: April 1, 2022

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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