A well-rendered who’s-who guide to the contemporary women’s movement.
Four decades after their influential book, The Madwoman in the Attic, Gilbert and Gubar offer a comprehensive, evolutionary update.
In their latest illuminating collaboration, the authors seek to show “how generations of literary women tapped the enigmas of their own lives to shape visions of cultural transformation.” In the 1950s, young women experienced “extraordinary confusions,” as their “lives reflected but also rebelled against the conformity of the decade.” “Feminism incubated” in the lives and writings of Sylvia Plath, Diane di Prima (the “feminist beatnik”), Gwendolyn Brooks, Lorraine Hansberry, and Audre Lorde. It continued to erupt in the 1960s, especially with Adrienne Rich’s politically engaged poetry and Nina Simone’s “ribald jokes and daring garb,” which reflected “a shift in both racial and sexual attitudes.” The sexual revolution and the maelstrom created by the Vietnam War brought forceful voices to the forefront in the works of Gloria Steinem and Helen Gurley Brown. Susan Sontag welcomed the rise of new forms of female eroticism and leftist politics while Joan Didion “would deplore them.” Gilbert and Gubar call 1968 “feminism’s annus mirabilis” as protests sparked the women’s liberation movement, here and abroad. Denise Levertov’s activist poetry and clashes between feminism and the Black Power movement captured the public’s attention. The 1970s brought the publication of Kate Millett’s “landmark” book of feminist literary criticism, the controversial Sexual Politics, and bestselling feminist-infused novels by Toni Morrison, Erica Jong, and Rita Mae Brown. Ms. magazine and Judy Chicago’s “celebratory artwork,” The Dinner Party, were born. In the 1980s and ’90s, feminism would take hold in “parts of the entertainment world and in the academy.” Andrea Dworkin took on sexual violence, and Eve Kosofsky Sedgwick and Judith Butler battled the “hetero-/homosexual divide.” More recently, Claudia Rankine, N.K. Jemisin, and others have worked to create alliances with the Black Lives Matter movement. Gilbert and Gubar deftly explore decades of political and cultural history to fashion this timely and valuable book.
A well-rendered who’s-who guide to the contemporary women’s movement.Pub Date: Aug. 17, 2021
ISBN: 978-0-393-65171-3
Page Count: 416
Publisher: Norton
Review Posted Online: June 4, 2021
Kirkus Reviews Issue: July 1, 2021
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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