by Saou Ichikawa ; translated by Polly Barton ‧ RELEASE DATE: March 18, 2025
Audacious, insightful, bold, and—with its critique of ableism—necessary.
A disabled woman confronts her sexual desires in this debut novel.
Japanese author Ichikawa starts off with a bang, as it were, with the heading that opens the book: “My Steamy Threesome With Super-Sexy Students in One of Tokyo’s Most Sought-After Swingers’ Clubs (Part I).” That’s the title of an article written by Shaka Izawa, a self-described “more or less bedbound woman with a serious disability.” Shaka lives in a group home that she has inherited from her parents; she lives with a rare genetic disease called myotubular myopathy, which, she explains, means that “the blueprint for my muscle tissue was flawed. There might have been no dramatic degeneration, but that didn’t alter the fact that my muscles were incapable of growing, maintaining themselves, or aging in the same way as those of someone without the condition.” Shaka fills her days with distance-learning at a university, freelance writing, and posting provocative things into the online void—or so she thinks. A care worker named Tanaka discovers her posts, including one in which she writes that she “might as well start investigating sexual services for women” and one in which she says she wants “to get pregnant and have an abortion, just like a normal woman.” When she offers to pay him for sex, the encounter goes wrong. Ichikawa has crafted an unforgettable character in Shaka, who is mordantly funny and disarmingly blunt, and who critiques ableism sharply: “Japan…works on the understanding that disabled people don’t exist within society, so there are no such proactive considerations made. Able-bodied Japanese people have likely never even imagined a hunchbacked monster struggling to read a physical book.” The novel delivers with a fever-dream ending that Ichikawa pulls off beautifully. Some readers might be shocked by this brave novel; others might find themselves interrogating their own ableism. This is an absolutely stunning debut.
Audacious, insightful, bold, and—with its critique of ableism—necessary.Pub Date: March 18, 2025
ISBN: 9780593734711
Page Count: 112
Publisher: Hogarth
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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by Lily King ‧ RELEASE DATE: Oct. 7, 2025
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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