In 1944, the small, sleepy town of Pinella, Alabama, is swept by the winds of WW II. Tattnall, almost 12, her neighbor Bubba, and her developmentally disabled cousin, Obie, are enthralled by the Flying Tigers, the fighter planes they spy overhead. The Flying Tigers are a source of wonder for Tattnall and Obie and signify their imminent maturity. Obie's behavior becomes more erratic, and Tattnall, his protector, no longer believes she can handle him. Readers will empathize with Tattnall's guilt, protective responsibility, and helplessness. Miss Clarissa, Obie's mother, emerges as a three- dimensional character when she finally acknowledges Obie's behavior- -but it's too late. Obie has embarked on a path of wrecklessness that leads to a fatal case of pneumonia. Despite lyrical passages and an aching sense of place, the course of the novel wavers, e.g., Miss Clarissa finally admits that Tattnall has been good to Obie, and then a few pages later, chastises her for ``abandoning'' him. The metaphors of flight linked to Obie—Icarus, kites, the Flying Tigers—are invoked so often they lose power. In this quiet but atmospheric entry, the story's strengths are its subtle evocation of wartime Alabama and characters so real they seem to appear on a screen rather than in the pages of a book. (Fiction. 9-13)
Pub Date: May 1, 1997
ISBN: 0-689-81207-8
Page Count: 160
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
BOOK REVIEW
BOOK REVIEW
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Budding billionaire Greg Kenton has a knack for making money and a serious rival. When he issues his first Chunky Comic Book at the beginning of sixth grade, his neighbor and classmate Maura Shaw produces an alternative. Their quarrel draws the attention of the principal, who bans comics from the school. But when they notice all the other commercial messages in their school, they take their cause to the local school committee. Without belaboring his point, Clements takes on product placement in schools and the need for wealth. “Most people can only use one bathroom at a time,” says Greg’s math teacher, Mr. Z. Greg gets the message; middle-grade readers may ignore it in favor of the delightful spectacle of Greg’s ultimate economic success, a pleasing result for the effort this up-and-coming young businessman puts into his work. Clements weaves intriguing information about comic book illustration into this entertaining, smoothly written story. Selznick’s accompanying black-and-white drawings have the appearance of sketches Greg might have made himself. This hits the jackpot. (Fiction. 9-12)
Pub Date: July 1, 2005
ISBN: 0-689-86683-6
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
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