The highs and lows of first love are chronicled in various poetic forms. Two unnamed narrators, a boy and a girl, speak in alternating voices about the course of a relationship from crush to breakup. At the bottom of each page, the authors note which form of poetry was used to tell that particular point in the story. Some of the forms, such as the sonnet and terza rima, will be familiar to teen poetry aficionados. Others—the tanka and Vietnamese luc bat, for example—invite discussion of unfamiliar forms. It is unlikely than anyone other than teens already interested in poetry will pick this up voluntarily, even teens who are fans of verse authors. This book’s value may come in its potential for classroom use: For teachers looking for ways to get high-school students to read and relate to poetry and learn its forms this is a top choice. The teen voices are honest and will ring true for any teen who’s ever had a crush, been mortified by his or her parents or broken off a relationship with the classic “it’s not you, it's me.” (Poetry. 11-15)
Pub Date: Oct. 1, 2008
ISBN: 978-1-59078-587-4
Page Count: 64
Publisher: Wordsong/Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
Well-educated American boys from privileged families have abundant options for college and career. For Chiko, their Burmese counterpart, there are no good choices. There is never enough to eat, and his family lives in constant fear of the military regime that has imprisoned Chiko’s physician father. Soon Chiko is commandeered by the army, trained to hunt down members of the Karenni ethnic minority. Tai, another “recruit,” uses his streetwise survival skills to help them both survive. Meanwhile, Tu Reh, a Karenni youth whose village was torched by the Burmese Army, has been chosen for his first military mission in his people’s resistance movement. How the boys meet and what comes of it is the crux of this multi-voiced novel. While Perkins doesn’t sugarcoat her subject—coming of age in a brutal, fascistic society—this is a gentle story with a lot of heart, suitable for younger readers than the subject matter might suggest. It answers the question, “What is it like to be a child soldier?” clearly, but with hope. (author’s note, historical note) (Fiction. 11-14)
Pub Date: July 1, 2010
ISBN: 978-1-58089-328-2
Page Count: 288
Publisher: Charlesbridge
Review Posted Online: May 31, 2010
Kirkus Reviews Issue: June 15, 2010
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