Strange and genuinely introspective.
What happens when invisible friends won’t leave you alone?
It’s three weeks into the school year, and Josh Duncan is prepared for his first day of fifth grade after his family’s move, armed with his inhaler and a new raincoat for the perpetually wet Pacific Northwest weather. Josh tells himself it won’t be like the first day of kindergarten, when he got an awkward nickname and saw Big Brother for the first time. Yet Big Brother is there, speaking in Josh’s ear despite the distance from his old backyard, where his parents made him bury a rock with Big Brother’s name on it. Meanwhile, Lucas Hernandez isn’t sure what’s up with the new kid, but he’s dealing with his own recently reappeared apparition: Maxie Moon. If Lucas does this one thing for Maxie, she tells him, she’ll leave him alone for good. Lucas’ name and some casually dropped Spanish signals his distinction from his assumed-white classmates, and Josh, who is white, displays symptoms of social anxiety. Blurring the line between imaginary friends and ghosts, Nickerson creates an atmospheric narrative that turns typically mundane activities, like riding a bike around the neighborhood, into existential ponderings on borderlines and time. Readers can dive in and get lost in ambiguous, creepy elements that will prepare them for the horror of Stephen King.
Strange and genuinely introspective. (Fiction. 8-12)Pub Date: Aug. 27, 2019
ISBN: 978-1-101-99442-9
Page Count: 304
Publisher: Dutton
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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