The well-wrought plots and densely imagined worlds make this the most distinguished mystery collection so far this year.
Fourteen stories, most dating from 1996 to 2018, about Chicago shamus V.I. Warshawski, her friends and family, and a remarkably diverse group of other people.
Five of the seven stories about Warshawski are first-rate; only “Wildcat,” which takes the young Victoria’s family through the disruption of Martin Luther King’s 1966 visit to Chicago, and “Is It Justice?” a wish-fulfillment sequel to Critical Mass (2013) in which somebody shoots a newly exonerated killer as he descends the courthouse steps, play better as politics than fiction. In the others, V.I. seeks out a student she humiliated at a high school Q&A; finds a contemporary case of plagiarism beneath a decade-old murder; hunts down her client’s father only to be told that he’s not her client’s father; turns down a bodyguard gig on behalf of a wealthy author who begins trash-talking her every chance she gets; and, in the brand-new title story, goes to bat for her dislikable ex-neighbor’s kid brother when he’s arrested for murder. What’s even more impressive is the variety of the other seven stories. Paretsky effortlessly masters Dr. Watson’s voice in an adventure that shows Sherlock Holmes bested by an upstart American and sends Carroll John Daly’s pioneering hard-boiled dick Race Williams to the 1933 Century of Progress Fair. The deftly plotted “Acid Test” shows an apostle of nonviolence arrested for bombing a neighbor’s scientific institute. The charming “Miss Bianca” turns on a 10-year-old girl’s solicitude for a lab mouse. The dystopian fantasy “Safety First” and “Trial by Fire,” a pendant to Bleeding Kansas (2007), show off Paretsky’s willingness to take risks. And “Heartbreak House,” in which a romance writer’s editor recommends that she consult a psychotherapist, who promptly gets killed, ends the collection on a wryly amused note.
The well-wrought plots and densely imagined worlds make this the most distinguished mystery collection so far this year.Pub Date: June 30, 2020
ISBN: 978-0-06-291554-2
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
Breezy, entertaining characters and a cheeky premise fall prey to too much explanation and an unlikely climax.
An aspiring mystery writer sets out to solve her great-aunt’s murder and inherit an estate.
Twenty-five-year-old Annie Adams has never met her great-aunt Frances, who prefers her small village to busy London. But when a mysterious letter arrives instructing Annie to come to Castle Knoll in Dorset to meet Frances and discuss her role as sole beneficiary of her great-aunt’s estate, Annie can’t resist. Unfortunately, she arrives to find Frances’ worst fears have come true: The elderly woman—who’s been haunted for decades by a fortuneteller’s prediction that this will happen—has been murdered, and her will dictates that she will leave her entire estate to Annie, but only if Annie solves her killing. It’s a cheeky if not exactly believable premise, especially since the local police don’t seem terribly opposed to it. Annie herself is an engaging presence, if a little too blind to the fact that she could be on the killer’s to-do list. Her roll call of suspects is pleasingly long, including but not limited to the local vicar, a one-time paramour of her great-aunt’s; a gardener who grows a lot more than flowers; shady developers and suspicious friends from Frances’ past; and Saxon, Annie’s crafty rival, who inherits the estate himself if he manages to solve the case first. Annie pieces together clues through readings of Frances’ journal, but the story eventually runs aground on the twin rocks of too much explanation and a flimsy climax. Cute dialogue gives way to lengthy exposition, and by the time Frances’ killer is revealed you may well be ready to leave Annie, Dorset, and Castle Knoll behind for the firmer ground of reality. Fans of cozy mysteries are likely to be more forgiving, but if you cast a skeptical eye toward amateur sleuths, this novel won’t change your mind about them.
Breezy, entertaining characters and a cheeky premise fall prey to too much explanation and an unlikely climax.Pub Date: March 26, 2024
ISBN: 9780593474013
Page Count: 368
Publisher: Dutton
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
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