A sensitive and nuanced exploration of foster care and mental health set against a dazzling backdrop of magic and history.
Pascoe’s YA novel follows a teenage witch’s journey through time.
Fourteen-year-old Rachel “Raya” Hollingsworth lives in foster care alongside 11-year-old Jake. Worried that she’s inherited her mother’s schizophrenia because of her tendency to hear and see things others don’t, Raya runs away. Her kindly social worker, Bryony Braxton—who just happens to be a witch (or “integrator”)—soon catches up to her in Raya’s hometown of Barking, England. Bryony reports that Jake also ran away from foster care and helps Raya to realize that the things she’s seeing and hearing, including her communications with Bryony’s cat, Oscar, are the result of her status as an integrator. Raya’s guilt over Jake’s disappearance accidentally transports her and Oscar (via magic) to Colchester, Essex, in 1645…right in the middle of the Essex witch trials. Bryony arrives to help, and together they attempt to contact Integrator Headquarters to find a way home as the “Witchfinder General,” Matthew Hopkins, closes in on them (“Raya protested but stopped when Hopkins grabbed her by the arm. When he touched her, she saw nothing but mud, smelled rotting things and tasted metal”). Raya’s bittersweet memories of her mother are absolutely heartbreaking and serve as an important touchstone for readers who may have experienced similar trauma. The author’s talent for balancing real-world issues with adrenaline-pumping exploits through time (including a perilous sojourn to 17th-century Istanbul) is impressive, as are her richly detailed descriptions of various people and places: “She heard every strand of conversation, smelled the cheese and yeasty bread of the court watchers, felt the change in temperature as they left the courtroom for the cooler hallway. The dappled light through the window was beautiful. The onlookers outside sounded like a murder of crows.”
A sensitive and nuanced exploration of foster care and mental health set against a dazzling backdrop of magic and history.Pub Date: Feb. 6, 2017
ISBN: 9780993574733
Page Count: 380
Publisher: Trindles and Green
Review Posted Online: May 22, 2023
Kirkus Reviews Issue: July 1, 2023
Review Program: Kirkus Indie
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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