by Sarah Albee ; illustrated by Kaja Kajfež ‧ RELEASE DATE: Oct. 25, 2022
Colorful, fun, relatable tastes of history that may tempt readers into further research.
Twenty capsule biographies of historical women who wore trousers or men’s clothing.
The women portrayed in these short, illustrated narratives wore traditionally male clothing for different reasons. Harriet Tubman found skirts to be a hinderance when helping enslaved people escape; Vesta Tilley was an English-born drag performer during the late 19th and early 20th centuries. Many of the women disguised themselves as men so they could work in professions forbidden to women, while Ellen Craft disguised herself to escape slavery. The pharaoh Hatshepsut portrayed herself as male because that’s what pharaohs were, and if Frida Kahlo were alive today, “we might describe her as gender fluid.” Historical photographs and paintings add interest, although with descriptions pushed to endnotes, their often intriguing context is hard to find. A contemporary, slangy voice wavers between forced and quite funny, and the sidebars that pepper the collection (on everything from smallpox to the gender spectrum to “How To Start Up a Model T”) are informative and mostly rather interesting. About half of the subjects are White, though Black, Native American, Mongolian, and Indian women are covered as well. Almost all are from the 18th and 19th centuries in the United States or Western Europe. The final biography (of Marguerite Johnson, streetcar conductor) has such a satisfying reveal that it brings thematic closure to the whole collection.
Colorful, fun, relatable tastes of history that may tempt readers into further research. (author’s note, notes, bibliography, image credits, index) (Nonfiction. 9-11)Pub Date: Oct. 25, 2022
ISBN: 978-1-62354-095-1
Page Count: 176
Publisher: Charlesbridge
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
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by Sarah Albee ; illustrated by Chris Hsu
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by James Buckley Jr. ‧ RELEASE DATE: Aug. 27, 2019
Serviceable but sparkless.
A profile of Apollo 11’s pilot as a hero who “just did his job.”
Buckley’s account is shot through with references to working, having jobs to do, and tackling “chore after chore.” It covers Collins’ test-pilot and astronaut trainings, his experiences in space both in Gemini 10 and as the third man aboard Apollo 11 (where, at times, in lunar orbit, “he was the most isolated person in human history”), plus later gigs as writer, artist, and Smithsonian administrator. Though pointedly noting that NASA didn’t hire an astronaut of color until 1967 nor a woman until 1978, the author generally steers clear of controversy, even quoting Armstrong’s line as “That’s one small step for a man” without comment. He also presupposes so little prior knowledge from his intended audience that along with minimizing technical details he feels compelled to explain who Adam and Charlie Brown are. With the lack of illustrations further distancing modern readers from events, the resulting narrative reads as a bland tribute, particularly next to Bea Uusma Schyffert’s lively The Man Who Went to the Far Side of the Moon (2003) and Collins’ own memoir for younger readers, Flying to the Moon and Other Strange Places (1976; republished in 2019 as Flying to the Moon: An Astronaut’s Story).
Serviceable but sparkless. (endnotes, bibliography) (Biography. 9-11)Pub Date: Aug. 27, 2019
ISBN: 978-1-5344-2480-7
Page Count: 160
Publisher: Aladdin
Review Posted Online: April 9, 2019
Kirkus Reviews Issue: May 1, 2019
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by James Buckley Jr. & Ellen Labrecque ; illustrated by Steffi Walthall
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by James Buckley Jr. & Ellen Labrecque ; illustrated by Steffi Walthall
by Howard Megdal ; illustrated by Abbey Lossing ‧ RELEASE DATE: Nov. 5, 2019
Refreshingly unpredictable, if remarkably sloppy, opinionated, and a chancy choice for role models.
A diverse gallery of record breakers, envelope pushers, and activists, prominent or otherwise.
Journalist Megdal offers figures from, mostly, the present or recent past, each born in or at least loosely associated with a particular state. His selections show a distinct slant toward leftist reformers or people involved in social or environmental causes. Some, notably Muhammad Ali (Kentucky), Rachel Carson (Pennsylvania), and Jackie Robinson (Georgia), are necessary fixtures on any such roster, but many—for example, Joe Biden (Delaware), Social Democrat Michael Harrington (Missouri), and the All-American Red Heads (Arkansas), an early women’s basketball team—seem more personal choices. No small number are just odd, such as William Allen White, a Kansas newspaper publisher billed as “the figure small town America needs today,” and Marjorie van Vliet (Rhode Island), who tried to fly to all the lower 48 state capitols for peace in 1990 but died in a crash before reaching the final one. The trailblazers are presented on hard-to-parse spreads composed of kaleidoscopically contrasting color blocks, each containing a few lines of narrative, a quote, or a stylized illustration done in a flat, serigraphic style. Along with occasional snort-inducing errors (though none so hilarious as a map with LBJ’s home state, Texas, labeled “Michigan”), a quirky company of achievers that includes 22 figures of Latinx, Native, or African American descent, and, counting the Red Heads, more women than men, will greet readers willing to stay the course. Shorter profiles of 16 more luminaries at the end expand the roster.
Refreshingly unpredictable, if remarkably sloppy, opinionated, and a chancy choice for role models. (index) (Collective biography. 9-11)Pub Date: Nov. 5, 2019
ISBN: 978-1-78603-967-5
Page Count: 112
Publisher: Wide Eyed Editions
Review Posted Online: Aug. 25, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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