bookshelf

THE YES

Name: THE YES
Author: Sarah Bee
ISBN: 978-0-8028-5449-0

by Sarah Bee ; illustrated by Satoshi Kitamura ‧ RELEASE DATE: Feb. 16, 2015

Comforting and full of encouragement, this may be just the selection for adults or children struggling with fear and...

bookshelf

Can one large Yes conquer a swarm of Nos?

In this allegory on positive thinking, a large orange creature called the Yes embarks on an arduous journey, only to be trailed by dark, nebulous creatures called Nos who attempt to hold him back by undermining his self-confidence at every turn. Playful, poetic text, full of onomatopoeia, describes the action—“The Nos were everywhere and everywhat in swarms and flocks and packs. They teemed and seethed. They picked and nipped and snipped and snicked.” Kitamura’s inventive ink-and-watercolor landscapes bring the abstract story to life by showing the wandering creature as he leaves the safety of his nest to traipse through a quiet desert, a golden field and a dark jungle. He finds a tall tree, struggles over a tricky bridge and hikes a rolling hill—followed by a cloud of Nos all the while. If the text is a trifle heavy-handed and somewhat fraught with meaning, it is also well-intentioned and accessible, and the metaphor is clear and easy to understand. A nice choice for counselors and others working with children to build social-emotional skills.

Comforting and full of encouragement, this may be just the selection for adults or children struggling with fear and self-doubt . (Picture book. 4-8)

Pub Date: Feb. 16, 2015

ISBN: 978-0-8028-5449-0

Page Count: 32

Publisher: Eerdmans

Review Posted Online: Nov. 10, 2014

Kirkus Reviews Issue: Dec. 1, 2014

Categories:

CHILDREN'S SOCIAL THEMES

bookshelf

READ ALL ABOUT IT!

by Benjamin Hall ; illustrated by Martina Motzo ‧ RELEASE DATE: March 3, 2026

Visually sweet, though hampered by disjointed storytelling.

bookshelf

In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.

Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.

Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)

Pub Date: March 3, 2026

ISBN: 9780063357549

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Dec. 26, 2025

Kirkus Reviews Issue: Feb. 1, 2026

Categories:

CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES

bookshelf

MAYA'S BIG QUESTION

From the Ambitious Girl series , Vol. 3

by Meena Harris ; illustrated by Marissa Valdez ‧ RELEASE DATE: Feb. 3, 2026

Another empowering outing led by a dynamic young role model.

bookshelf

The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.

On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.

Another empowering outing led by a dynamic young role model. (Picture book. 5-8)